I am so bored I can barely write, in fact having just writ those words am seriously thinking what’s even the point of writing a blog entry when I always said to myself that I’d only write one when I had something to write about. I’m suffering from depression and it’s hard to be interested in anything when you are drowning in this.
In this last week I’ve been trying to engage my mind away from wallowing in despair and self pity and a couple of cultural things have distracted me, Shakespeare and Jake Thackray. Inspired by the girls at Open Bar theatre who I worked for in 2016 in Twelfth Night and wrote about then here who wanted past actors who worked with them to join in by filming yourself performing a little ditty to mark Shakespeare’s birthday, after having put a table and chairs out in mums beautifully overgrown garden in her house where I am alone isolating myself and carrying on the beer drinking, (I’d managed to get a slot in Iceland’s home delivery for essentials), I thought to film myself doing a few well known Shakespeare pieces with a beer, hash tagged Shakesbeer in the garden! And did a couple put them on facebook and instagram then got bored and frustrated at how little attention my anyway attention seeking attempt had received, so abandoned a sonnet as anyway I kept inexplicably mispronouncing the word ‘impediments’ Might attempt again if I can be bothered to get out of bed for enough daylight hours!
I want to do things, I suppose that is something as opposed to not, but just can’t be bothered!
Jake Thackray, who as infectiously lovely Isy Suttie, described his work on discovering him, (on a podcast I was listening to the other day), as a well of wonderfulness. I discovered him a couple of years back, loving the single Lah-di-dah and more so, the particularly wonderful B side ‘The Black Swan’ which is a desert island disc for me. But I’ve rediscovered him in the last week, looking far more deeply into his life and work, watching and listening to anything I could find on him. He’s come to obsess me a bit
There aren’t many moments I can recall in vivid detail from Birmingham School of Screech & Trauma, and I certainly can’t recall learning an awful lot, but I remember well the first moment I met Sharron Byrne.
"Hi I’m Shaz" she said to me in her rich, deep, well spoken, sexy voice, looking me up and down, she was at once vibrant, beautiful and a little terrifying!
She wore dark clothes, shirt & leggings & had long, luxurious, brunette hair with a bit of a perm to it. I was 30 she was 20, although she looked youthful and indeed retained that youthful look & spirit all of the 26 years I have known her. Her whole demeanour, not just her voice, suggested a more mature sophistication, Shaz was a classy girl!
She reminded me a little of Helena Bonham Carter in the face, same angular jaw & as I got to know her & see how fine an actress she was, she also brought to mind a young Bette Davis with all the passionate intensity & flashing eyes. Ah but Shaz was really her own unique self though!
In our class of 1994 there were not unluckily 13 girls and 7 lads including me.
I remember Shaz as the definite alpha female in the group! If we are comparing it to Rydell High in Grease, Shaz was very definitely the leader of the Pink Ladies, Rizzo! Toni, Shaz’s best mate would be Riz’s right hand girl Marty, er…gets a bit more difficult then, because we had slightly more Pink Ladies than in the film! Either Jo or Leesa was Frenchy and Ondine was Jan! They ruled the skool! My old mate Tasha would be Rizzo’s contender in the formidable stakes, Cha-Cha, boyf of the Scorpions head honcho, (“what did she give him? A lock of hair…. from her chest!”), and Amy who was a very pretty, lovely girl, was definitely Sandy, definitely not allowed in the Pink Ladies!
In the lads I think Kevin Tucker would think he was Danny Zuko and Gareth? Gaz would be Danny’s wingman, Kenickie. Me? I was more Coach flippin’ Calhoun!!!
Although I loved Olivia in the original film, Rizzo played by Stockard Channing always held an allure, a good bad girl. Formidable, sexy and dangerous. Not to be messed with with, but a secret fantasy, just like Shaz!
Toni reminds me that it was Gaz in our year who coined the nickname ’Satan’ for her. Shaz wasn’t offended in the least, but rather turned it on it’s head and revelled in it with a pride that said “Yeah don’t fuck with me!” Toni came to use it as term of endearment for her, but it was still something I never dared call her!
I was about 10 years older than everyone, not that I played the age card at all well, I was rubbish with women before doing acting gave me a bit of confidence, and seemingly when it did, I only became confident at being a twat! According to Tasha, who's always been a good friend to me, at that time I had a bit of a mullet, looked like Nick Cave, (although from looking at old pics I think more Shane McGowan), and a propensity for wearing jogging pants that didn’t show my willy off to it’s best advantage!!!:D So I’m not sure what Shaz thought of me.
Indeed in the first of our three years at Birmingham, aside from seeing her everyday in school (and boy was it run like a primary school), I don’t really remembe hanging out with Shaz. I was definitely not cool enough to mix with the Pink Ladies, more’s the pity!
Funnily enough, considering how much we both liked a drink over the years, she wasn’t like me one of the regulars down the unofficial drama school pub, the ironically named ‘Unspoilt by Progress’ in the concrete 1960’s precinct just off Fiveways in Brum, (and where I was eventually barred!), I think The Pink Ladies did their drinking somewhere far more cooler. We weren’t assigned to work together in scenes or shows that we put on in the famed Regency Room of the Georgian house on Church Road, Edgbaston that served as BSSD’s main HQ. The Regency Room where the height of technological advances to enhance our performance was a dimmer switch on the chandelier!
As first years we had to stage manage final & second year shows at was called the Apex theatre, the pokey former billiard room of the old Georgian house, and there was a much larger space at an old dance hall several miles away in real ‘Peaky Blinder’ country, Smallheath or as I remember Shaz calling it, Smelly Heath! I wonder what the Shelby brothers would have made of that? My guess she’d have taken them on, or bonded with them, she’d certainly have been a rival to Helen McCrory’s formidable Helen Gray character!
My aversion to dance became legendary, well more the stuff of hilarity and despair in equal measure. When we were streamed according to ability, advanced, intermediate or basic, they had to invent a whole new group below basic for me and Tasha as well, (she didn’t quite have Cha-Cha’s moves), which was unofficially christened ‘The Sunshine Group!’
The teachers just gave up on me at the end of the first year as a bad lot and I sold my tap & jazz shoes to a first year by the start of our second. However I had learnt to do a basic tap dance time step and all because of Shaz!
She was very funny and I remember her sympathising with me over my tap dancing anxiety, just before I gave it up. There was a rhyme that Vicki Maxine the tap dance teacher taught everyone to do this basic step...
But Shaz had a much better rhyme that she’d come up with directed at Miss Maxine’s unpopularity particularly with the girls that she’d always have a go at...
Oh whenever I’d remind her of that in the years later, she’d find it hysterical and was really pleased I’d remembered it, although I’m not sure I could remember the time step to go along with it now Shaz!
By the second year we’d bonded. I do remember she had the idea that we share a birthday celebration as ours were just 2 weeks apart which was lovely. We were both vegetarian which back in those days was less common, and we both loved the Smiths. Most importantly we had become a mutual admiration society in acting, something we were to remain always, Shaz was always my greatest supporter in acting & I like to think I was hers.
I was truly bowled over by her, she had a real old school presence about her, huge watchability, a chameleon like ability to change herself dramatically in look and only a part of that was make up and hair. Most wonderful of all she had the most fabulous singing voice.
I’ll forever hear her singing ‘I love Paris’ In her rich dark contralto voice to rival Ella Fitzgerald’s famous version. She originally sang this in a second year production we did called ‘Cole Porter Songbook’ and would later sing at our drama school showcase in London.
I was cast as the narrator in that show, not allowed to sing anything! (Singing is the thing that most embitters me about the school as I went from the getting top marks amongst the lads in the school to almost lowest after they’d fired & not replaced the singing teacher, a guy who I remember Shaz christened Fonzie as he had the definite look of Henry Winkler and wore a leather jacket. She was always good at coming up with nicknames for people!
I was struck by how such an attractive woman could play with ease, unflattering and often male characters, this mainly because the short sighted choice of plays with a heavy bent towards male characters, and the girls would often have to play male roles, without a thought amongst the directors, (even the women) of adapting them as female, or more often doubling up on the female roles, so that in production one girl would be on one night and another girl in the same role the next! This was very odd because there were a lot more girls than lads on the course as there always where at drama schools, in fact one of the main reasons I wanted to go to drama school in the first place!
Shaz though seemed to revel though in playing a succession of unflattering blokes roles extremely well, from a thuggish but well dressed football hooligan in Arrivederci Millwall, (I played the skinhead leader), to the treacherous & pompous King Alonso in what was possibly the worst as well as campest version of Shakespeare’s The Tempest ever committed to stage, where I had fun wearing mascara and a skirt as the jester Trinculo, while doing the gayest Scots accent ever!
Oh and not to mention Fanshen! David Hare’s play. Oh bloody hell! Travesty amongst travesties even at Birmingham, with us all playing Chinamen, and directed not by one of the teachers, but by the drama school’s accountant, who just wanted to have a go. God It was like primary school. Oh you had to have a sense of humour to go to Birmingham back then!
Shaz always made the best of whatever she was cast in though, despite a lot of eye rolling at initial casting she went for it hell for leather, whereas often I confess if I was unhappy I’d get a bit sulky and turn in a substandard performance as a result! Shaz was always a true professional. This something she did for all the years I knew her, in plays, short films and working in a succession of unattractive attractions like London Dungeon & The London Bridge experience where she played warty old hags and plague victims like her whole career depended on it. God I believe she never put in a bad performance.
Shaz & I came together to adapt a couple of classic book scenes in a show our group were doing called Victorian Scrapbook, which was lots of scenes from Victorian era books and plays tagged together. She did Jane Eyre, I did Nicholas Nickleby mainly because I wanted to play the fabulously pantomime villainous Wackford Squeers, then got all grumpy when I was cast as a minor, dull character in my own fucking piece!
We were also cast together for the first time in a creaky old piece called ‘Judged by Appearances’ by Frederick Fenn about a jealous husband, Arthur (me), goaded by his wife, Helen (Shaz) for not being man enough, so he then decides to shoot himself in desperation, only to be surprised by a burglar (me old mate Kevin Tucker) who I then ask to do the job for me, but when he refuses, I get angry with him & a struggle ensues, whereby Shaz as my wife discovers us, thinks I am defending the house & sees me in a whole new light! “Oh Arthur”, I can still her intone!
I asked Shaz to work with me on the Poel Prize in our final year at Brum, which was a creaky old competition specifically about doing duologues from the Elizabethan & Jacobean stage where all the old accredited drama schools across the country used to put forward final year candidates to represent them in a national heat in London to decide the outright winner.
I originally wanted to do Macbeth with her, as I thought she’d make a fabulous Lady Macbeth, as I was always attracted to her strong personality (I’ve always been drawn to strong, formidable women), anyway I thought that too well known for a competition like this, that others would surely do it and we were encouraged to do lesser known pieces.
Whilst back home in Manchester on a break I’d been browsing the old university bookshop and found a play called ‘The Maid’s Tragedy’ by Francis Beaumont & John Fletcher, both guys who knew & wrote occasionally with Shakespeare. It was a real melodramatic potboiler but I thought no one else will do this, so went to Shaz with it.
She was enthusiastic so we set about finding a scene in it to edit down it to a couple of minutes that was the stipulation. I’ve still got the play with her notes in pencil adapting it. The speech we did as the brother and sister, Melantius and Evadne, had me calling her a whore every other sentence and manhandling her a lot! We had great fun with it, although I did lose confidence in the piece!
Oh bless her, literally every time we met years after drama school, she’d tell me how happy she was that I’d asked her to work with me on this & I told her quite honestly that I wanted to work with no one else but her. She’d then go all serious, close her eyes momentarily, (I loved her naturally melodramatic manner), & go on to remind me, in the sweetest, hurt voice of how I appeared to lose heart in the piece & then delightfully her voice would change to a stern reprimand, as she reminded me that were it not for her giving me a kick up the arse we would never have won though to represent BSSD in the national heat held in London. And she was bloody right!
This event was held on The Olivier stage of the National Theatre, though it’s strange I have almost no recollection of that now, wish I could vividly remember us being on the Olivier stage even though I can vaguely recall it wasn’t a very big audience, I don’t know what I was on! I also get this confused with the Laurence Olivier bursary which was a different thing we both represented the drama school for as well, with monologues this time, (God we must have been good), and I can remember being on stage at St Martin’s Theatre in London for that, where the Mousetrap is still forever in residence. And Shaz and I going drinking round the west end afterwards, which understandably this time I can’t remember much about!
I think the reason why I lost confidence in the Poel was because I’d had second thoughts about what what was a ridiculously melodramatic piece. This in spite of working with the best actress in the school and having the only teacher who I respected direct it, Ron Williams.
I loved Ron, he was the only teacher who made me want to work & as well as being the only teacher I ever had (and that includes my rotten school), who inspired me. Shaz loved him too and like me was blessed to have him as a tutor. We did a lot of psychological brother & sister relationship impros verging on the incestuous, which was great and very Ron!
There was no disguising though that it was hard getting such truth from the overly dramatic text, it was a huge challenge for me anyway if not for Shaz.
Not taking anything away from Ron, but it was Shaz who really motored that piece through, got me working, completely true that she got us that place in the national heats. She took me on like the force she was, she was beautifully fierce and when I saw her at close quarters taking control I loved her and was totally convinced she was going to be a hugely successful actress post drama school.
We didn’t win but fuck it, no wonder Shaz was proud, my greatest accolade to be with her on the Olivier stage at the National Theatre.. the fucking Olivier stage!
Shaz was flat sharing in our final year with one of the post grads, Claire Harding, (those on the one year post grads course got an even rougher deal than we did, but I had some great mates in them over the years), Claire was going out with Jack Wild, forever famous for playing The Artful Dodger in Oliver. Ebbe in our year, who was my best mate out of the lads, had become along with Shaz and I, regular drinking buddies by then, I was modelling myself as the drama school hell raiser, boasting that I’d got barred from 8 pubs in Birmingham, (well it was actually only 3!) and Shaz invited us both back for a dinner party one night and Jack was there.
I liked him a lot, and he was happy to chat about his career. He didn’t eat and certainly not drink anything, (he’d had a big booze problem of course and was off it by then), held this cute shih tzu virtually the whole time and a lit ciggie was in his mouth on a chain. It was a great, great night, such good atmosphere. It was the best dinner party I’ve ever been to, great assembly not just because of Jack, but Shaz was on great form too, so we were all laughing and drinking, (apart from Jack, he said “Oh don’t mind me fill your boots!”) til the wee small hours.
I met Shaz’s mum Margaret a few times when she came to see Shaz in shows at Brum and once as for a bit we were streamed into different groups in the final year, a show that I was in that she wasn’t, because Shaz particularly wanted her mum to see it.
The show was called ‘Ladies in Retirement’ a regular old antique of a play & a staple of amateur dramatic groups, directed by an affable old codger called John Bromley, who always seemed like he was on his last legs, and even if he wasn’t before, got much nearer to being directing us!
It was an unusual & on the face of it refreshingly girl heavy play, 6 female parts & just I male role, me.
Margaret had done some acting when she was younger and been in this very play as Lucy, the housemaid, but prominent character in the action. She was very sweet about it, but what she might’ve thought I can only guess, because quite honestly it was dreadful, I was dreadful, we all were dreadful.
Toni, who would become Shaz’s dearest mate was made up to look like the old spinster character Miss Fiske in this mad old wig that you couldn’t look at her in without creasing up. I was just making it up as I went along playing this dodgy, wide boy character Albert & trying not to corpse around the others, particularly Toni & Tasha!
It is unbelievably described as being the finest stage thriller ever written! Well if it is, we really fucked up! I think all of us in it were only too aware of it being a being a turkey, so we just had a laugh at the plays expense & so it became a farce, but not a good one!
I said to Shaz years later when she’d regularly bring this up about her mum who she loved dearly, being so keen to see the play because of her doing it, how sorry I was that we’d been so shite, but Shaz was adamant that her mum had enjoyed it, so maybe it wasn’t as bad to watch as it was to be in!
Oh we did some stupid plays in our final year when we were supposed to be doing our best work and don’t even get me started on the very last play we all did together at the school, The Balcony by Jean Genet, the play apparently considered his masterpiece… er not the way we did it!
Fucking hell It was an eccentric, absurdist play anyway and an equally eccentric choice for a final show, and I seemed to have blanked most of it out now.
I can just about remember Shaz wearing an executioners mask & apparently playing a character called Arthur!!!! No doubt even Shaz only disguising her disbelief at this rubbish by the mask she had to wear!
No better evidence of how the girls in our year got fucked over by our drama school something chronic by the casting in this & the lads didn’t do much better!
I think we were all, even Shaz just going through the motions with The Balcony! The best I can say about it is I remember going down the pub a lot with it’s director Richard Syms both after and during rehearsals & getting totally shit faced!
Happily though Shaz had already distinguished herself as our years best singer in the musical ‘Hair’ one of the best shows in the final year, and as I said before her rendition of ‘I Love Paris’ from that second year show was revived for our the end of year showcase in London, and it was easily the highlight of an otherwise unspectacular finale for us at Birmingham & happily she at least came away from it all smelling of roses!
When drama school ended I didn’t see her for a couple of years. I’d stayed on in Birmingham for a year after the course ended trying to pay off debts!
I remember well our little reunion in a bar she worked in called Truckles near the British museum which had a big open courtyard in the centre of it and Shaz had an idea about persuading the management to do outdoor Shakespeare productions here, and if it happened wanted me in on it, and if anyone could have persuaded them it was her. Shaz loved her Shakespeare dearly, or Shakey as I was reminded by her lovely cousin Martin recently that Shaz would call him!
Sadly It never happened least not with Shaz anyway, and not long after that she went off on a theatre job in Italy, a tour of Oscar Wilde’s The Canterville Ghost, where she played one half of the American couple who move into a haunted old stately home. I didn’t see it but know the story quite well and can just hear Shaz after her character finds a famed bloodstain, which has made the house something of a haunted tourist attraction, saying cooly “I do not care for bloodstains” and insisting it is got rid of immediately!
I saw a lot of Shaz around 2005/2006 when we were working on a helpline for a company that made cordless telephones for BT which Toni our friend from drama school had told us both about as she was working there. People would call in if they had problems using them. Usually it was people who’d charged the phones up and then unplugged them thinking that these cordless phones worked like mobiles! We used to all go a bit crazy in that little underground room. I remember Shaz would often get to her feet and pace as far as the headset wire would allow her when she had someone on who she’d lost her patience with, and dear Shaz didn’t suffer fools gladly. She’d roll her eyes dramatically and comically pull a face of an imbecile.
There was a type of cordless phone called a Quartet, one with large buttons, Fisher Price like jobs aimed at the elderly and I remember Shaz on one occasion on her feet trying to make the obviously elderly person at the other end of the line understand what the phone was called… “It’s called a Quartet…QUAR-TET! You know like STRING QUARTET!!!” She’d always crease me up.
The best thing about this job was that I got to hang out with Shaz every day for the first time since drama school, and dear Toni too. Also there was John Myers who I’d bonded with, a very talented professional musician who became a part of our little drinking team after work. John and I got round the monotony, (or mongotomy) of life on the helpline by creating ‘Mong corner!’ Not at all pc, but nevertheless a much needed source of spirit amidst what was otherwise a soul destroying environment! Shaz didn’t really approve of Mong corner and I can see her face now looking at us & Toni too, with a distinctly nonplussed look, whenever we’d go as we did frequently “MUH!”
It was at this time I really fell in love with Shaz.
I’d always liked her, we’d had a brief moment at drama school, there was an attraction but we never went out. She was seeing someone outside of the drama school I think. I was always seemingly besotted by a succession of completely unsuitable nutters in other years who were destined to fail, such has ever been the story of my disastrous dating life! And at the time in reality I just couldn’t see the wood for the trees, or the flames for the Byrne!
But yes the helpline job saw us spending more time together than we’d spent in years and I fantasied about being with her, but by then she was with Antony who would be the love of her life, and that was that and that was how it always was, and I eventually accepted that.
Even if she hadn’t been with Ant I’m not at all flattering myself she’d have ever been with me, but I always felt we had a real chemistry both onstage and off. She was the kind of a girl I felt I could take on the world with and quite honestly even though I knew it was impossible with Shaz, no one else I’ve ever met has matched her.
Such dreams as well as my persistent abject stupidity, still making the same bad choices after all these years, why I still find myself alone!
I was glad that Shaz was my very dear buddy. But I never stopped being in love with her from that day forward.
Yessss! I’m all too well aware it was all a fantasy about being with her, I live my whole life in one big fucking fantasy, a fantasy of acting glory as much as bra less mermaids and gothiccy, sexy witches putting me under their spell, and for that reason alone she’d never have put up me anyway, I think she needed someone more grounded. In fact we’d have probably ended up killing each other if we had gone out, a stormy, Richard Burton & Liz Taylor style relationship, although it would never have been dull!
I remember having a massive argument with her once after she turned up late missing a play I was in in Battersea in 2006. I think I was disappointed because I’d really wanted her to see the play I was in. It had been quite a hard, mentally challenging one to do, really got to me too, a bit of a gloomy, doomy one man play where I played an English businessman held hostage in Iraq.
I was upset because I really wanted Shaz to see it, I was proud of it and because I loved her wanted her opinion above anyone.
It was the only ever time we ever had a bust up and it may have been heightened because we’d both had too much to drink in a restaurant after, but the next time we saw each other not long after, it was completely forgotten.
Funnily enough the Burton/Taylor Taming of the Shrew movie was on telly the other day & I was reminded of Shaz’s great, great Kate in a Cambridge Shakespeare Festival show, put on in the grounds of Downing College Cambridge in the summer of 2008. It was her role, in fact in many ways it was the greatest role I ever saw her in and that’s saying something. I had some photos of her in this which to my very great sadness I seem to have lost, but I can still picture her in it in my mind.
I remember we the audience were seated in a very wide semi circle, far too far away really from the acting area but even so I still got the full impact of Shaz’s amazing flashing eyes! The guy playing Petruchio in this wasn’t up too much and Shaz although she had to of course succumb to him in the story in the end, in reality looked like she’d just have eaten him alive and never be tamed! Oh! We should have done ‘Shrew’ together for the Poel prize or better still a production of it, because that would have been amazing. How I wish I’d been her Petruchio!
Shaz also got me into her theatrical agency Rosebery Management about this time, my first agents in the 8 years since I’d left drama school which is amazing when I say it now, but I just couldn’t for the life of me interest anyone in taking me on! Rosebery was a co-op so you had to audition in front of all the actors on the books to get in, and I know that Shaz spoke up for me where at least one of the actors had cast doubt over offering me a place, She I’m sure argued my case in her own formidable way and got me into it. Bless her for that because Rosebery and her saved my acting career!
Shaz was the most hard working actor I have ever known, very conscientious and dedicated whilst doing her stint in the office at Rosebery, finding work for the everyone else on the books and going to check out shows to recruit possible new members. She was a very popular and well loved member of Rosebery.
I’m just laughing because I’ve found a comment she made on a group email to members around Christmastime which was pure Shaz: “Rosebery ladies remember: Santa really prefers the bad girls not the good!
She kept giving it the large with her career, doing theatre jobs on the fringe and off West End. I saw her in ‘Salaam Bethlehem’ for Riding Lights Theatre Company at Greenwich Theatre in 2007. This was a really interesting play from the point of view of the small Christian community in Israeli and Shaz played a doctor with great integrity and verve.
Then I saw her play an inmate in a lunatic asylum in ‘Ward 6’ at The Lion & Unicorn in Kentish Town which was a very odd play indeed!
Bless shaz, seemingly bomb proof to the eccentricities of our drama school shows, she gave it her all in a show worthy of Birmingham in it’s er, whimsicalness, to put it kindly and an equally eccentric director .
But she played the part with huge conviction and kept positive and was as committed as her character was! I always admired her focus at such times.
I also saw her in little known Ben Jonson comedy ‘The Magnetic Lady’ at The White Bear, Kennington in September 2010, apparently the first time the play had been performed since 1632! As usual in this she fabulously upstaged the more glamorous leads, even though de glamourised as she was herself playing a rather prim, dowdily dressed secretary type character Mistress Keep, (it was set in the 1930s). We got very drunk after as invariably we did when we saw each other in shows, and I can just about recollect that I kept saying to her over and over again… “but you’re the magnetic lady!”
Someone on that show I think it was the director was an absolute fucking bitch, according to Shaz, but it was very rare that she had run ins with people professionally.
Shaz had a heart of gold, she could seem fierce at the beginning if you didn’t know her and certainly understandably didn’t take shit from people, but she wasn’t at all difficult and she was never a diva. When you got to know her and if she became your friend, you really were in luck, because she’d go that extra mile and a lot for you, she’d be your best friend and she’d make you feel like you were hers.
To illustrate one of just thousands of examples of how great a friend Shaz was to me, when I was doing a fringe play at a pub near Belsize Park, just two days into rehearsals the absolute cunt of a director, a fella called Andrew Neil, (not the broadcaster), took me aside to say it wasn’t working out and he was going to have to let me go! Unbelievable, even though I’d realised the play was a turkey, I was doing my best and was really upset to be kicked out like this, so I rang the agents Rosebery to tell them and a few minutes later Shaz called me back. I think Phil in the office knowing how upset I was kindly phoned Shaz for me as he knew we were good buddies.
Shaz was lovely, she dropped everything and came out straight away to meet me at The World’s End in Camden. Well it was a shite play but I did feel temporarily like the world had ended!
She was so comforting when she got there, gave me the biggest hug ever and reassurance and sympathy by the bucket load, over quite a few drinks absolutely what I needed.
Oh yes she was just the best friend anyone could ever have. And that’s why she was extremely popular and well loved in companies that she worked in. Keeping in touch as close friends, and not just facebook friends, (Shaz hardly did facebook, not entirely trusting it), to many, many people she met on theatre jobs or the make ends meet jobs that we all did whilst living the dream.
Shaz was never afraid of playing unflattering roles, in fact revelled in playing them, she was in every sense a character actress first and foremost, although she could play the leading lady with ease too, (she was a very stunning & gorgeous looking woman & I often times told her that), but she was far much more interested in playing the roles with depth, the unsexy real characters, and she could play vivid characters with conviction.
She often times talked about how proud she was of her Snug the joiner, one of the gang of ‘mechanicals’ providing light relief in A Midsummer Night’s Dream. This was another outdoor theatre that I saw her do for a company she worked with a lot, Rainbow Theatre Company in Greenwich park. I told her how fab she was and I can see her beaming now. Her Snug was riotous, hilariously funny, played with huge conviction, vividly memorable and of course yet another case of herself as a relatively minor character totally blowing away the leads!
I really wanted to work with Shaz again, and was trying to think of something we could do ourselves, and then had the idea about writing her a one woman play about Bette Davis, who as I said before, Shaz had always reminded me of. I was inspired by the book ‘The Girl who walked Home Alone’. which my mum had been reading, and fancied for the first time directing it too. It's true it was because I was in love with her, but I genuinely really wanted to do something to help increase Shaz's profile in acting and I felt this would be a great vehicle if we could get it off the ground
Sadly it never happened, I guess it was really just another of my grandoise, Billy Liaresque dreams that never come to fruition, I'm no writer even though I've dabbled, but I still regret it as she would have been so fabulous as Bette Davis.
Shaz left Rosebery Management in 2012 to go with Ben West who’d broken away from being our administrator to form his own musical theatre based agency and he very nearly broke Rosebery too, initially wanting a vote to turn the agency into a musical theatre heavy, personal management, which would have required the likes of me, being like turkey’s voting for Christmas, but I didn’t blame Shaz for leaving, she’d been with Rosebery a long time and had been a hugely valuable, proactive member, keeping the agency afloat in difficult times.
Shaz’s star was encouragingly on the ascendant. She was doing a couple of number 1 tours, as understudy, first in Calendar Girls in 2011 and again in 2012, the first being a 6 month stint. The cast included famous names from British telly like Sue Holderness from Only Fools & Horses and Birds of a Feather’s Lesley Joseph. Shaz wrote me at the end of the first tour that Hi Di Hi’s Ruth Madoc, who she’d clearly bonded with, had been trying to pull strings for her to play the dual part of the clueless Brenda when the show returned. Sadly that didn’t happen but Shaz did get to do a couple of runs and how I wish I’d seen her!
And then there was Alan Bennett’s The Lady in the Van, on a tour for the famous Hull Truck theatre Company. She wrote me from being on tour in Stoke on Shithole (as she called Stoke on Trent! :) ) where she was understudying the titular character, Miss Sheppard, that one of the lead actors, (there were two actors playing different versions of Alan Bennett), had seen some of her rehearsals and was very impressed and supportive. But she went on to say that the actress playing her, Miss Sheppard, Nichola McAuliffe would have to be dead before she went on!
Such is the lot of an understudy, and although she was working at the top, it must have been frustrating for her not to get out every night and do what`she loved, as I know she'd have been pure magic in that role and had she somehow nobbled Nicola McAuliffe and taken over the role, it could have been the making of her. Oh wish I'd gone over to Stoke and hung outside the stage door of The Regent Theatre and er accidentally tripped her up as shew as entering!
Shaz’s lovely little doggie, Sebbie died at this time and he was the last link to her mum and dad. I'd slept over on Shaz's sofa in her living room in East Finchley quite a few times in that same house where she'd grown up over the years and little Sebbie was always a large character in the house. She was heartbroken and I told her how sorry I was, to try not to be sorrowful, and that someone like Sebbie will never really die and will be a spirit that will be known again, and told her what my mum had always said, that if animals aren't in heaven, I don't want to go there!
Shaz was really touched & said that her Mum and Dad would be pleased to have Sebs back with them again.
I read that email back now with tears in my eyes and think in that same spirit, how she’ll be with her mum and dad and Sebbie again.
She wrote me in 2013 after seeing me in my self produced play, ‘Beatle Mal’ which I’d done over 2 years, (and which Shaz of course came to support) of her exasperation after the last couple of years of doing high profile theatre that she’d had a shit year. She said she didn’t just expect to sit on her arse & get a phone call from the RSC! But that she’d started to think that things were going somewhere for her!
It was a rare note of despair, but she countered that she was going to give next year her biggest shot, but that if it turned out like this she might throw in the towel, but was terrified about what she’d do with the rest of her life.
I wrote her back a long encouraging email saying that I totally emphasised with her & that I’d said to myself that if I still wasn’t making money by the time I was 50, (as I was going to be next year), that I’d give it up, but told her that I didn’t really believe that, as anything else would make me more miserable! Shaz was obviously as acutely aware of her 40th year approaching as I was of my 50th. I suggested rather naively that she she should do some singing in local clubs, as I’d always loved her voice, and a a show where she could do like a stand up act, as she was very funny, telling stories and doing characters she’d done like Kate in Taming of the Shrew, perhaps tieing it in with Cole Porter’s ‘it’s too darn hot” from the musical Kiss me Kate.
She told me how much what I’d said had meant to her and I told her that I loved her very much and really wanted her to be more successful than her wildest dreams and I fished by saying.. “you could be, I REALLY believe that.”
I never stopped believing that.
That following year in January, perenially a shite month for me, when I retreat into my shell, (I’ve just had the worst January this year), I became really depressed and as I am want to do at such times selfishly pushed my friends away including dear Shaz.
‘Beatle Mal’ which I’d done over 2 years had just come to an end before Christmas & had been a bit of disaster really, doing nothing to increase my profile as an actor and losing me a lot of money. It also coincided with me stopping living in London so I saw less of my all my friends anyway and felt isolated. That and being acutely aware of my impending half century!
To my great sorrow I’ve found messages from her concerned that I hadn’t been in touch & not been to her 40th birthday bash in February, and asking me if she’d pissed me off as unusually for me I hadn’t even sent her a little message! Oh! I didn’t even reply or see it til now. I don’t know what the fuck I was doing! Makes me kick myself stupid with such regret now…
Dearest Shaz, of course it wasn’t that you pissed me off if, I was being a dick with
my head stuck up my arse in my self centred twattishness! When I should’ve got over myself and picked up the fucking phone, overcome a pathetic phone phobia that has cost me dear, and never more so than now!
I wish so much I’d been there to give you a big hug and get wonderfully pissed with you. My colossal loss for not being with you!
I did recover my senses enough to see her though just a few months after her birthday though in a play called ’Sitting up for Michael’ at The White Bear in 2014. This was a really excellent piece, humorous and involving, about a family coming together after a death which magnifies divisions and secrets.
Shaz played Frieda, the daughter of the titular character, a forthright Northern Irish woman from Country Tyrone, It was a typically strong role for Shaz with a faultless accent, and there was a great ensemble cast. I told her how particularly convincing I thought her accent was, and lots of people had congratulated her on this, as well as her performance generally and she beamed with pride: “well it’s in the blood!”
I knew how very proud she was of her Irish blood because she often spoke fondly of her of her mum and dad and all her cousins, aunties & uncles & nephews and nieces in Ireland, who she regularly visited in Meath, with great affection, lovingly putting on the accent as she did and I’d share my love & experiences of that wonderful country with her.
Whenever we got together at times like this, we’d both take great delight in recanting stories from Birmingham through rose tinted or should I say Pinot tinted glasses. We both liked a drink, oh and some!
I think we were both at the time of being in Brum, gob smacked in disbelief at some of the shortcomings of the place, although Shaz back then was the first to shake her head in disbelief as well as roar with laughter at all the absurdities and eccentricities of the drama school, she was always forthright and positive about dealing with them. Many times then and over the years since, I’ve thought what the fuck kind of drama school did I ever go to!
Oh but Shaz, you'd laugh when I say this, considering how I would diss the drama school sometimes, but I’m so, so glad that I went to Birmingham, because I met you, and that you became one of the most important persons in the half of my life that I've known you. it would be unthinkably awful never to have known you
Shaz was always a kind friend and occasionally I took up her invitation to sleep on her sofa as despite having left London, I was still coming down a few days a week to work as a tour guide for the coach company I worked for. I really didn't like to impose on her & Antony's privacy and they had a couple of lodgers in the house too, so there wasn't a lot of space, but Shaz was really lovely and said I'd be welcome anytime.
She was working at that time at the RSVP call centre in docklands which almost exclusively employed actors to do things like sell subscriptions to various businesses etc. I'd often meet her from work at the strangely named 'Pepper St Ontiod' pub (an acronym for being on Pepper Street on the Isle of Dogs) and we'd sit out drinking looking over the water on the quayside, or we'd go back to take in a film at the lovely Pheonix cinema near where she lived in East Finchley.
I met her for a big old catch up in the summer of 2018 , the first time I'd seen her in a couple of years shockingly , after seeing her strut her stuff working at The London Bridge Experience, a museum of horrors themed around the horrible history of London Bridge. She was of course brilliant playing a crude old crone hilariously making mildly lewd suggestions to the crowd assembled within the dark dank conditions of the museum. She was very funny and put in the same deeply felt and charismatic performance that I'd seen her do in all her acting work.
Afterwards we went for drinks first in the Mudlark near the museum and then on my suggestion we repaired to the Old Thameside Inn next to The Golden Hinde, whIch had been my regular watering hole in my first job when I came to live in London in 1998, as an actor hamming it up something rotten on that replica ship!
It was a beautiful, joyful evening sitting out on the terrace by the Thames with London Bridge as a backdrop and the lit up night skyline of the city. I'm looking at the photos now and want to walk back right into them in all their slightly out of focus and poorly lit glory, Shaz was as radiant and fabulous as she was in all the years I've' known her.
We told all the old stories, laughed blissfully and got wonderfully pissed. It was the happiest I'd been in a long time, a perfect moment I thought that at the time and I remember not wanting the evening to end.
The last time I saw Shaz was when she came with Toni to see me in the play ‘Wrestling the Walrus’ last year which after playing in Manchester came to funny little venue called The Yard Theatre in east London.
We didn’t have a very long catch up at the end, no time to get her news, it was all about me!!! Oh it was so fabulous to see them both, I hadn't seen Toni for over 10 years, really made my day, if not month! Sadly they didn't want to stay late, understandably as it wasn't the most salubrious or easy to get home from location.
If I’d known or even had some inkling that this would be the last time, while giving her the big bear hug, that I’d always give her, whenever I met her, or parted from her, lifting her right up off her feet, I’d never have let her go!
eI've tried to keep a spirited touch whilst writing all this, true to her dear self, regrettably though this is where this all gets very sad and even more indulgently reflective though, so if I flatter myself that anyone else is reading this, you might want to finish here.
It never occurs to me that anyone else might read my navel gazing blogs on this my anyway ’vanity website’, rarely anyone does as I don’t push them. And anyway such streams of consciousness without a much needed edit, are really meant for myself and do help as therapy for my mental health, never more so than at times like this.
I have been through an almighty depression this year and for the first time I’ve admitted to myself as well as others to suffering from depression for a long time.
I was just getting over it when I got news of Shaz whilst on my way back from a shift guiding at the Coronation Street tour and on the eve of an almighty storm!
God everything is totally surreal at the mo, the biggest, lockdown & curtailing of civil liberties since World War 2 as a backdrop to losing dear Shaz at only 45, both as equally unbelievable. Even though what has happened has begun to sink in after being in a daze the last few weeks, including at the funeral, just writing this blog I still have to have a double take or twenty, just writing about her in the past tense and frequently still can't.
My emotions are all over the place, at the moment, I'm laughing at remembrances of her one minute and weeping at photographs of her the next..
I can't believe when someone well meaning says it was her time. That’s not right, it’s just not right that a vibrant young woman like this should go when she still had so much to live for. Shaz was magnificent in everything she did, whether it was her career as an actress, or any of the fill in jobs she did, and of course she was the most magnificent company.
In a room full of people she was very much where the party was at, in the quietest pub or in the most soulless office she was a breath of fresh air, the bright light that you would desperately want to be near to comfort you.
Shaz lived her life dealing with epilepsy and faced that with the same courage and positivity that she displayed in every area of her life.
Writing this almost 6 weeks after I first heard the worst news, hasn’t done anything to get me accustomed to this, in fact as time goes on I’m getting more upset by it. I wake up each morning hoping that I’m going to awake from a bad dream, that Shaz is ok and that I would break the habit of a lifetime and call her later today for a much needed catch up.
I’d become more fatalistic from having this depression in January anyway and what has happened to dear Shaz and what is happening in the world on all our doorsteps right now has just heightened this.
I’ve cried more in the couple of weeks since the funeral than I have ever cried for anyone in my life, and I’m a bit of a soppy crier the best of times!
Grief is like a selfish emotion, it replays if only’s and what if’s and why’s over in your mind. It misses the person deeply, wishes the person there again as if this were a bad dream to almost the point of obsessing about it. It desperately, overwhelmingly needs them here for just for you.
Someone said that grief is all the love you want to give, but can't. Grief is love with nowhere to go and that' exactly it.
My dad who I absolutely loved to bits, died 38 years ago this year and honestly not a day has gone by since when I haven’t missed him and thought about him. Dad had been suffering from lung cancer for a year before he died and was brave, strong and protective throughout. Even though I’d been dreading losing him, I think I was probably in denial that I would, even on the night he passed. And it’s very odd but I felt strangely cushioned, numb when he did, almost like I was being given strength to cope. I always remember at the funeral a little bird flew into the church & settled on the coffin for a moment, dad always loved birds. It was amazing, almost like this was an affirmation that all was well and although you could say I have never stopped grieving for him, this grief over dear Shaz is different.
I was upset last year when a lovely old friend I knew from tour guiding 20 years ago, Jacqueline died very suddenly too, ironically the same age as Shaz. I’d been in love with her as well, and similarly had pushed her away because she wasn’t interested in me romantically, though she wanted to be friends, I’d made myself lose contact with her, hadn’t seen her for 15 years, so even though I was deeply sad & deeply remorseful about doing that, and it did affect me, with Shaz though the shock has been far more profound.
Of course I am well aware I am not alone in deeply missing her, particularly Antony and all her many friends and family will be feeling the pain too, she is so well loved and deeply grieved for. It has been absolutely lovely and comforting talking to Shaz’s fabulous cousins Mairtin and Bernadette about her, as it has to dear Toni, sharing our grief and our joyous memories of her.
I was originally asked to do a eulogy at the funeral but gave way to her old friend Danny who really wanted to do it. In the end because of the current shit going on, he couldn’t come from the US where he lives and sent me what he was going to say. I used a lot of what he’d written which was lovely but when I came to do it, I just had to put a lot of my own thoughts in too, trying not to make it too personal to me or Danny, but trying to speak for everyone who loved her.
Here though I wanted to talk about Shaz very personally and how much she meant to me,
I also imagine in my outrageous self importance here that I am a voice to tell the fucking acting world's movers and shakers what a lot of ignorant short sighted cunts they are in missing making this fabulous woman a star! Makes me angry when I think how brilliant she was. It's not a fair business I know and Shaz did work, and do good stuff as I have said, but fuck it she still should have been a household name!
I’ve tried to be honest here and I wanted to capture her in all those now precious moments I spent with her or heard from her. But ultimately no amount of fine words said here or as I did in the church take away what is an absolute, awful tragedy.
My heart goes out to Antony. It’s true at times I have envied him being her love but I knew how much she loved him and how ideal they were together and to lose that, to lose one so fabulous as your partner in life is unbearably awful.
Whilst selfishly reflecting on my own grief, I can barely imagine the heartbreak he has had. He is understandably inconsolable. I heard him say later in the day after the funeral that there’d never be another woman in his life. Really got to me.
I set out to write a celebration of you here dear Shaz. You are a glorious woman and you've been helping me as you helped me in life in inspiring me to write this, which is helping me deal with this current highly depressing self isolation. I have been writing this piece on and off over almost two weeks, I haven't wanted it to end.
My memories written down here are like a kind of communion with you to reaffirm how fabulous I think you are, and always did, and always will and how much you meant to me.
Of course I've caught nowhere near enough of your gorgeous spirit and your wonderful, infectious sense of humour and it’s got all got a bit maudlin and introspective. Sorry Shaz because you were always an absolute joy to be with. I loved and cared about you dearly. I’m going to be eternally sorry that I went for long periods of time without seeing or contacting you after I stopped living in London. Never more have I regretted that decision to leave London!
I’ve been speaking out loud to you a lot in the last couple of weeks of my lonely , heightened introspectiveness, flattering myself particularly with a few whiskies inside me that you can hear me. More soberly I know that if you’d be with just one person on earth it’d understandably be with Antony. it is to him you would give an ear from wherever you are if you are anywhere and I believe you are somewhere, as big a presence as you were in all of our lives, There are more things in heaven and Earth, than are dreamt of in our philosophy, to misquote Shakey!
I'm sure you're somehow transmitting comfort to him even if you're not allowed to!
Oh I wish I'd seen more of you, even just picked up the phone. I should have got over myself and just stopped being such a fantasist and a twat!
I blame Facebook! Fucking Facebook. I dislike and mistrust it as much as you and understand why you rarely did it, in fact a bit like you have stopped using it very much, I’m more wasting my time on twatter these days, which peversely is even less sociable. Fucking, evil Facebook! I resent and blame Facebook for all the stupid group emails I put out which you didn’t see about times I was in London when it was you more than anybody that I wanted to see the most.
You see what I did there? Blamed facebook for all the times I should’ve have just picked up the phone and called you. For all my shortcomings, blame fucking Facebook!!!
You didn’t need social media to be social as you you were a normal and decent human being who actually phoned and spoke and frequently saw your friends and I regret most deeply all the missed calls, and often unanswered messages from you.
I may have even gone more months this year, even without a national lockdown in place, in my frequently stupefying haze in not seeing or contacting my dear, dear friend. I think you understood that I got down sometimes and went awol, not that I think that it was acceptable to behave like that and it depresses me even more that Shaz might have thought I was a depressive old git!
I know the next time we met, no matter how long it had been it would have been as it always was, as if no such time had passed at all, but that doesn't do anything to alleviate my eternal fucking shame.
Oh Shaz I can loudly hear you say jokingly in reply … “For fuck sake, it's ok, please don’t be such a misery guts babes, we all need a laugh especially now!
It's hard not to let memories of her be associated with sadness now, but that would indeed be doing her a disservice. She’s a bright light in life who always cheered me when I saw her. I quoted The Smiths song ‘There is a light that never goes out’ at the funeral and have been listening to it since partly in tears but also smiling at the grim humour of Morrissey’s lyrics that Shaz adored!
I can’t believe I’ll never see you again, so I won’t. I didn’t say goodbye to you at the funeral, because I couldn’t. I just said farewell for now, it’ll be just another slightly elongated period when I don’t see you, but you’ll be with me especially whenever I think about acting or Ireland, or writing & anything creative that I might want to do. Or whenever I have a drink, and whenever and if ever I get to drink in a pub again, I’ll always get you a large glass of Pinot in just like I did in The White Lion after the funeral.
There's talk of a big celebration of you when all the current anxiety is over, maybe on or around your birthday next year, which your cousin Mairtin has already christened 'Shazfest!" And everyone else who loved you, but who couldn't be at the funeral because of current circumstances would come, and we could all have a good old do, with music and much love for you!
Oh I’ll miss you particularly deeply because you were my greatest supporter in the increasingly mad to worse world of acting and I’ll miss you to give me a much needed kick up the arse! So I’ll keep talking to you, and until I see you again, and it may not be that long, yes I’ll dream it’ll be as if no time has passed, your memory, your spirit will be kept up large, dearest Shazza!
I won’t say wish, because wishes at such time are particularly cruel and detrimental to our own psychological well being, but I will say this. That I would willingly trade all my dreams of acting glory, any amount of fame and money.. lottery fortunes, any of these impossibilities, I’d trade for another impossibility if impossibly it was possible for me to some how be allowed just one impossibility!!!
And that would be to go back as I am in my head now to you smiling up at me, that cheeky, sexy smile 26 years ago in the Autumn of 1994 at 45 Church Road, The Birmingham School of Speech & Drama, and you introducing yourself to me with all your life in front of you.
Near the end of our time at drama school, I had a pretentious little notebook that I got anyone I liked, students & teachers to write quotes about leaving in as a keepsake. I’ve still got it. Most people wrote famous quotes meaningful sayings they could remember, Shaz was different and wrote something hilariously typical of her and in a funny way more meaningful than any of the fine words…
“The best poo has sweetcorn in it!”
I’m afraid I’ve started out this year about as miserable as I’ve ever been. And not even the worst that could have happened has happened to me...thankfully.
I have nightmares in my waking hours of the worst but yes thankfully, hugely thankfully that isn’t the case, and equally as thankfully as happened for the first time this year last night I can still dream!
When I mean dream, I mean wonderful, life enhancing, mostly always Unfathomable, far fetched and near impossible & quite impossible things, but at least I can still dream them. At last too, because I’ve been suffering from insomnia something rotten this year and when I have slept it’s been for an hour or two at most, usually about 5am, that sleep that you’re body makes you do from being overtired, but isn’t a restful sleep and certainly not a dream filled deep sleep. Snoozing as my mum calls it. I was always faintly irritated by mum saying that she hadn’t really slept only snoozed. This mainly with mum was in the depression she was suffering the year before last. But now I can fully see what she meant. It’s the worst kind of sleep that denies you the most pleasurable thing about sleeping, dreaming, as well as awakening completely unrefreshed.
Of late I have been more aware of my own mortality than ever before. I have always like most people been scared of dying and perhaps unlike most people thought more about it, or rather it was the fear or rather extreme fear of loved ones leaving me, just as I was scared of my dear old dad dying long before he did. My dad was 44 when I was born, which doesn’t seem a lot now, but I remember being teased at school, people saying is that your grandad?! Stupid, dumb kids always take against anyone that doesn’t fit a boring normality. I was proud to be the only one in my school who had a dad who fought in WW2. My mum is 9 years younger than my dad, so I only started worrying about her after my dad died and many, many times I’ve worried about my mum over the years, if I can’t reach her on the telephone or if she was late meeting me at the station etc.
In the house I grew up in Poynton, and I want to stress that I had a very happy childhood, I do remember being scared if I was ever left alone even if it was a few minutes or thought I was on my own, and no I didn’t have irresponsible parents who left me alone when I was very young, but when I was old enough to know or cope better.
I have I believe suffered from depression for a long time now and only in the last week admitted this to a doctor who prescribed me for the first time some mild anti D’s mainly to help me sleep. Particularly things have gone bad since last summer. The play I did didn’t meet expectations and although I got myself an agent out of it, feel just about as far removed from acting as I’ve ever been. Also I’ve become worried about mum again as she had a relapse into depression again. Added to that there was of course yet another woman who I liked having met online going pear-shaped and I'm not talking about her figure!
Also I developed an anxiety particularly over my sisters insensitivity so much so that I had to block her and couldn’t speak to her for months and then when we did have a truce over Christmas it was soon broken with an almighty row just after Christmas. I am ridiculously over sensitive and my sister ridiculously insensitive, we are just bound to keep falling out sadly. But I wish that wasn't the case.
Another huge blow recently was Maisie my mums dear little shih tzu, a member of the family and I felt her loss as acutely.
Dear Maisie, died suddenly a few weeks ago and I felt her loss terribly. It hurts even writing about it.
Maze, an absolutely gorgeous dog, a real member of our family. We lost her after a potential cancer was spotted and she went under anaesthetic for a biopsy to test for it.
It still breaks my heart to talk about it, but I had noticed she was terribly uncomfortable on the night before and even came down to check on her in the night before, rubbling her stomach as she loved, but I didn’t really believe or couldn’t believe that she’d leave us. It still breaks my heart that mum was buying food for her in Morrisons when we’d left her at the vets to collect her later. Mum never gave up hope on her and that makes me cry the most. Mum went up to Scotland with my sister a few days later as had been pre planned. She told me couldn’t cry for Maisie even though she was terribly upset and I understood completely and empathised but that made me cry too. I buried her in the garden, left two candle lit lanterns where I had, and buried her with a love knot of Christmas tinsel to symbolise the wonderfully spirited effervescent little dog she was and how well loved and missed she was. Like missing Christmas like I always do when it’s gone in January, the light and the sparkle and even more so with the loss of such a beautiful and hugely characterful dog. After mum left for Scotland I was sobbing like a baby pretty much all the time so much so my eyes hurt and my stomach was as upset. I even left the Christmas tree up lit up long, long par twelfth night because so much was gone from the house that I couldn’t face that going too. I realise that in Maisie I was seeing the end of an era, mum has had dogs since a long time before I was born. I have never known a time without a dog and for almost 50 of my almost 56 years mum has has owned and bred them. Maisie was the last of the line and a huge part of my sorrow at not just losing a magnificent little dog is my concern for mum and her future well being too. I realise, I’m scared that in my current predicament that I couldn’t face anything happening to mum and am scared beyond belief that when mum leaves me I will have no one and will simply not be able to go on.
“Maisie you drive me crazy, but I love you all the same” I would always affectionately sing to you. You kept me company when no one else did particularly when I felt low last year and mum was away. “You’re the best dog in the world I would always say to you when you were sitting on the sofa, and you would look quizzically back me at me grinning that toothy grin I so miss. You were the last of the ‘Fabulous Three’ as I called yourself, Callie & Orly. I know you missed the other two when they went, particularly Callie who you would boss round, although feisty Callie would stand up to you playfully. You would charge around the house in the evening having a mad moment with the spirit of Callie long after she’d gone, and you spirit is still here. I have only just hoovered not wanting to remove your hair from the carpet, your hair once a nuisance has become treasure and I have kept a lock of it.
Dear Maze’s basket is still in the kitchen & the chair in which she sat & I can’t move them, am worrying that I should before mum returns, but don’t want to. Worst is late at night and I’ve turned the tv off and it’s too quiet and I still say goodnight Maze and try to believe I can hear her snoring from the room I sleep in above the kitchen. I am crying just writing this.
A lovely pharmacist in Nantwich Morrisons went through a list of things that might be depriving me of sleep when I asked her to recommend effective sleeping pills recently and after going through everything from no caffeine after 6pm and yoga, she suggested stroking a dog and when I told her you were gone her face met my sadness at saying this and she could offer no more help. I will always miss you, I hope you’re not mums last dog even though I don’t think mum will want another, because no matter how lovely they may be, they will never match you. Your lovely spirit will always be with us wherever we are, wherever we go.
Saving me from bleak introspection in the last week has been Coronation Street….!
This is a sentence I never thought to write. I have been aware of Corrie all my life, grew up with it on the tv. I was remembering my first memories of the street the other day and can remember vaguely a coach crash away from the street. Looking into this as I have been quite a bit in the last week as research for a job, sadly not acting in it, but working as a tour guide showing people round it. The coach crash on a trip to the lakes was in 1969 when the show had been on tv for 9 years and I was 5. I remember watching it through the whole of the 70s, particularly Hilda & Stan Ogden. And then mum has watched it through the 80s and 90s and I have always caught it when with her. But I became irritated with it’s issue based storylines and the trend in all soaps for high drama to increase ratings and compete with other soaps like Eastenders & Emmerdale, when I always thought the strength of these shows were the characters and the small stories that make every day life. So I virtually abandoned watching it and even chided mum for watching ‘this rubbish”. But at the moment the street is helping along with medication from feeling hopelessly lost. Yes I wish my new agent had at least been able to get me an audition for it never mind an actual part in it, and yes I am day dreaming that somehow me guiding people round it will somehow open one of them doors on Coronation street to its casting director, even though I am well aware that those doors don’t lead into a real world at all, even Gareth, the head of tours & attractions at ITV made a point of warning any actors training to be guides that this was not a way into the casting department. This faintly irritated me for the patronising manner he said it even if for all my Billy liaresque dreams I am well aware of that already, but as I have said my dreams, are made of stronger stuff than me!
So this is going to be a weekend job only, as they film Mon-Fri, assuming I make the grade of course as next weekend they will be looking to sign us off. But no false modesty I could do it tomorrow if they asked. I’ve not been guiding for this long, (22 years this year!) without having picked a few things up. Mainly an affliction for guiding at the expense of acting!) I’m more worried about where I’m going to live when I do the job at Media City, and doing some selling on their merchandise stand, which they want you to do as well. Not to mention that my legs ache after having just spent the last weekend repeatedly going round the set practicing the spiel in the freezing cold. In actual fact I am still hobbling round like a crippled old man two days on! So maybe I won’t be able to do it long term, but it’s keeping me sane for now! I am also ridiculously overweight, having piled on the pounds since the summer after barely a month of having lost a shed loads for the play I was doing in July. This time last year I was doing a daily exercise regime & had given up pasta, potatoes & bread as well as most impressively for me, sweets. At the moment I am definitely the biggest I’ve ever been, I daren’t with myself. Well I can’t because the scales are broken, and no I didn’t break them, but I might have. I can’t bring my mind, where my head is today to restart the diet & exercise again, but I should, I need to, I must and sooner than soon.
I have got to get myself together. Life is so precious and while I still have the gift of it, I am doing it a disservice to not live it. I must get out of this depression and not wallow in despair. Mum said to me which moved me hugely do it for Maisie's sake and I will. I will do it for everyone who I loved and lost. I am worried about mum and losing her is something I dread more than anything in my current state. I am scared of not having enough time left myself to matter to anyone. But I must try to and to enjoy life at the same time and hope for a good year for our family and the strength to cope with things and to overcome loneliness by being around lovely people. I must work to make my dreams real and that includes meeting a Marian to my (albeit ageing) Robin Hood!
Oh dear me. I would have liked to end this year on a cheerful blog, but my old enemy unhappiness has found me out. Specifically love, or the continuing misadventures of.
Did I really begin this year with a list of reasons to be cheerful. Or was that last year?
I’m finding it hard to remember what’s happened since I finished the play towards the end of July. That’s 5 fucking months, I don’t think it’s lingering characteristics of my character Mogg’s dementia. No more boredom, frustration, despair. Oh and lack of money too.
Romance always seems a pleasant distraction or rather the continuing misadventures in search of, and I spend enough time going on about it in these blogs. I promise if I ever met someone fabulous and it worked, I wouldn't go on and give a blow by blow account of it I promise, I wouldn't be that crass. It's just as I've said often enough before, these blogs are my streams of consciousness, where I get things off my chest, mindful that someone else might read them, even those I mention, I have no wish to hurt or denigrate them and won't. I write because it is a form of therapy.
Talking of which I had a romance of sorts with a nice looking Irish psychotherapist….
It’s funny I hadn’t seen her since 4th December, our fifth & final date over an almost 2 month period and my head must have been in a daze because I can’t even remember why now, but I remember really really fancying the moment she walked into Gullivers on Oldham Street Manchester on that afternoon of Saturday October 9th. On our second date about 3 weeks later we had a big snogfest after about 5 bottles of wine in Noho, and bar some hand holding went we went to see Joker weeks later we never got that affectionate again, she later told me she didn’t like kissing in public which is fair enough! I did fancy her big time but she never did convince me that she fancied me back, in fact on our last date, it was like she was repulsed. I have to ask myself with every woman I like whether it is just that I’m desperate for a girlfriend or am I really into her, and I was really into her, but of course hurt can cause you to doubt even that.
To be fair she was clearly upset on that last day we met , was talking about an ex boyf who she’s still kept friends with who’d died and only been discovered after many days and she’d been reading the pathology report!
Now I could write the book on wrong subjects to talk about on dates, but this was something new. She messaged me later than she said it looked like I was going to have a heart attack when I met her at Alderley Edge, a bit of an almighty exaggeration as was describing mud on my jeans, I checked them later. I’d climbed up the Edge all excited to meet her and that was my crime, looking too knackered & dishevelled as a result, apparently. She implied that she didn’t want to get close to someone who could die! As excuses for splitting up go it’s one of the more practical ones, if totally bizarre and unfounded. We spent a good 4 hours at the Wizard and if I’m honest the only thing I felt about my heart was it deflating!
Looking back over all my years I don't believe any woman I've really desired or loved has ever desired or loved me back. I always thought love would save me somehow, but I've never found that kind of love and I'm very doubtful whether it would anyway, because the sort of love I fantasise about, the sort that I imagine would save me, doesn't exist anyway. A lot of us have an almost childish desire to be loved, cherished, and for it almost to become a quest in life seems hopelessly ridiculous.
Just been watching with my mum this afternoon 'It's a Wonderful Life' and that's cheered me as well as gutted me!
So it's New Years eve what better or worse time to think about all the things in life In haven’t done, or haven’t been able to do, couldn’t do. Like driving & being a dad or bought a house, become a successful actor, met a lovely woman to spend my life with! The thing that depresses me most is that I haven't mattered in anyones life. Not really made a difference, so if I like George imagines in the film, hadn't existed it wouldn't really have caused great shakes in anyones lives.
Thats a terrible thing to admit, that I haven't mattered, but it is really true I'm sad to say. So with that bombshell admitted shamefully I'm left asking what have I done for myself and I’m trying to make a list in an attempt to cheer myself up...
What have I done?
Got to age of 55!
Became vegetarian 30 years ago & stuck to it, apart from a couple of mistakes!
Written & performed my own play
Been the only one in my Drama School year to produce a play outside the college
Come to realise my Tara Power as a blessing not the curse for years I thought it was before I thought of her.
Lived in London full time for over 15 years
Made good & lovely friends in Therese Ryan, Andy Greaves, Che Finch, Noreen Osborne, Bernadette Rowley, Sharron Byrne.
Become a better actor than I was when I started!
Worked & spent considerable time in: Rome, Dublin,my 2 favourite cities & in Weymouth.. very dear to me And Maiden Castle my most favourite place.
Learnt much about history from working as a tour guide to many places in England. Tried always to be kind, thoughtful & tolerant……BUT I of course haven’t succeeded in this. Maybe I’m not quite the nice person I thought I was! I have hurt to my knowledge 2 women…only 2 and the hurt was in the first ending our relationship with a text message and in the second not even doing that but letting her get upset at not hearing from me and say I wasn’t the man she thought I was. Too right.
OH I accuse myself of anger which is directed at myself and allowing my sister to make me angry.
My sister had been behaving monstrously, though she failed as always to see it. We were supposed to go over to hers for New Years Eve and then I had a massive bust up with last Friday when mum fell over and she started shouting at mum and I told her to calm down and she turned on me and then I went mad back at her and she slapped me across the face, first time ever I've been slapped by a woman!
Looking back as always things are said when you're upset that you don't really mean, and we were both upset at mum falling over.
I am furious with her, I think she is a very unhappy person, but she has all the things I haven’t. Her own family. A marriage, a life, normality. Things I have craved and do. I suggested Vickie see a psychiatrist but I maybe do too, or to get treatment for depression, maybe I'm the one that's in denial. I really don't think we can blame anyone but ourselves, certainly not our mum and dad, the best mum and dad anyone could wish for and as I frequently have said, I wouldn't want another try at life because it would mean having to have different parents and for me I lucked out this time round,
My dear friend Therese tells me to not have a go at myself, she says I am lovely, I am not convinced, even though she is a sage. She says saying negative things reflect badly on me like I am almost telling the cosmos, but I don't see myself as that important that the cosmos would care a jot about my rantings and ravings.
At the end of the day ("you're another day older") Spent new years eve watching the film of Les Miserables with my mum, hugely lucky that my dear mum is still with me.
If I really believed that I'd given up on finding a lovely woman I'd have ended it and if I believed truly that I'd never have success as an actor. They both seem like unattainable things but I cannot in all honesty give them up, just yet a while anyway.
Dopey love, shite school, un-dampened desire & my greatest performance that will never be seen! (August navel gazing)
I am a bit slow, too slow for life really, “Days are like seconds on my clock of reckoning” I once wrote in a poem. Most things have always taken me a long time to do, from reading a book to getting changed after I’ve done shows, I do eat fast, that’s about the only thing I do quickly! Of course some things in life are far more enjoyable when you’re not so fast, but these opportunities are invariably rare, personally speaking (more on this later!) I used to think, or hope that I was a late developer, (late bloomer), not so sure now, although I still live in hope!
I am a bit thick too, not so much dopey though, (more on this in a bit too),I often go on about the time I quietly left an IQ test after not being able to get my head around any of the 20 or so questions on the sheet of paper!
The thing I’ve been most stupid about in my life is love, desire, flutter hearting! From being too stupid to see opportunities for this, and those that liked me, to more often fancying the wrong, the most unsuitable girl, the ones that don’t or never would fancy me back. Oh I’ve been incredibly stupid with this..prolific in fact! From my late teens onwards I wrote poems, rambling silly often verging on the terrible poems, (though one or two quite good), about unrequited love.
Sex is a mojo giver! Certainly for a bloke I think, deffo for me anyway, which is why I’ve lacked confidence to do so much in my life, I've not had nearly enough of it! And I know from when I have and the times I've been in love that its better than flying!
Oh I've desired many many, many girls over the years. Some of my earliest memories in fact are of liking girls, long before sexual desire attraction was there. From the time I was deliberately naughty just to get to sit next to the threatened punishment of Stephanie Mattocks, the prettiest girl in primary school! Oh I maybe stupid, but not as stupid as the teachers I had! But I became an unconfident kid at puberty who desired girls strongly but was too shy to talk to them and was teased by some girls for being ‘dopey’ This was a nickname I had in class 12-13 years of age. I remember exactly how it came about.
My full, christened name that isn’t even now on my passport, (as I successfully lost part of it it), is Nicholas, Michael Ashley Wood-Jones. I became self conscious of having a double barrelled name in senior school was teased, mostly by the teachers, a chemistry teacher called Turner insisted on calling me ‘Plastic Jones’ for reasons best known to himself, (I do remember calling him ‘Turnip’ back to his face, so unlike others he can’t have been too threatening!) So I was embarrassed at having 3 names on top of the double barrell. Was incredibly sensitive about the Ashley, (my mum loved the character played by Lesley Howard in Gone with the wind), some of the girls were chatting to the teacher Mrs Haughton & going through the register to see peoples second names and to my horror I suddenly heard one of them say ‘Ashley’ out loud with a snigger! Instead of proudly admitting this as my name, like a dick I said “That’s not my name!” So forever after with these girls it became my nickname, even though ironically these girls were far dopier than I, as well as being not the least bit nice in temperament or looks!
I remember a trio from Bollington , (a convoy of Bostocks coaches would bus in the kids from Bolly as at the time Poynton County High School must’ve been the only senior school that would have them!), a couple of which, Janet Turner & Christine White who were just horrible, but the third Ilona Gemmell, who was a very pretty & rather shy girl. She'd initially been teased by some of the teachers for her unusual christian name, deliberately mispronouncing it Iona or spitefully drawing attention to it’s uncommonness, (God we really did have the most stupid, moronic & spiteful teachers at Poynton County High School!) Sadly even cute Ilona soon fell in with the others to fit in and chorus “Dopey!” At me whenever they saw me! This hurt me hugely because I desired Ilona big time and loved her name & never forgotten it! Christine White, who was ugly in every sense of the word, even tried to pick a fight with me, challenging me to a ‘scrap’. Whilst being sorely tempted to slap her, or intimidate her at this constant provocation, although I never would of course, I instead opted for a jokey reply to try to fuck her off. I said I'd be embarrassed to be beaten up by a girl" Of course with this simpleton this only made matters worse, she actually thought I was being serious and teased me mercilessly for my perceived lack of manliness and this was picked up by some of the more stupid lads! I’d never been bullied in school, (well there was the ‘ginger haired boy’ as everyone called him in primary school who would try and get everyones dinner money off them, but he didn’t last long!). I’d never been the popular sporty lad who gets picked early by the others in a team selection, although I loved football with a passion and was hurt at being in the left overs at selection, but no one bullied me
But after this I was teased mercilessly in my class by all but a small group of allies. Even one of the two most teased/bullied kids in the school, Nigel Milius was egged on by others to pick a fight with me. I let him have his little moment of liberation from bullying
until I'd had enough and snapped. It’s funny I’ve always hated seeing others bullied and I’m glad to say I never joined in with this, just to fit in as many a weak minded kid did, I never wanted to fit into the gang mentality, both Millius and Mark Foster (Fossy) who I think might have had polio because he had a funny leg/stance bit like I saw in Ian Dury later, were lads I hung out with, liked them, stuck up for them. I felt sorry for Fossy, his mum had died and we were told this by our teacher. I remember thinking how awful for him. They were targeted just because they were perceived as weak or different. I was a nice kid. But nice kids weren’t popular, to be popular you had to be a twat! There were rare exceptions, my good mate at Poynton was Bill Jackson. He was teased when he arrived in the 2nd I think it was, some called him ’Nobody’ as he looked a little like the kid playing a Victorian street urchin ghost in a tv series I absolutely loved in the 70s called ’Nobody’s House” Bill quickly rose above it, as he had a enviable natural cool about him, didn’t care about fitting in and being in a gang or giving you a wide berth just because others laughed at you, he just fitted in because he did, not because he tried.
in 1977 I went to see Sylvester Stallone in Rocky with my dad and this made me take on a tougher persona with the twats that had been calling me want to take on the twats who were calling me and facing up to them made them soon back down & go back to targeting the two weakest individuals, silly Milius & poor old Fossy. I hope it all came good for Fossy, I searched for him on Facebook and think I found him, but few details to confirm it’s actually him other than he’s from Bolly & went to the school, his profile photo is a snake!
It’s funny I’m writing this 7 miles away from Poynton where I grew up and only 2 or 3 miles from Bollington, I’m at my friend Che’s house in Rainow dog sitting her trio of cocker spaniels, (I met Ché on Guardian soulmates earlier this year and really, really like her but she just wants to be friends, and since my friend Jacqueline died this year who I gave over a blog a few months ago, I’ve realised how silly and harmful it is to cast women aside simply because they don’t want to sleep with you!). I’m wondering how many of those ‘Bollington bummers’ I knew are still there, Andrew Barber was a great mate of mine, we’d jokingly trade insults of Bollington bummers & Poynton Puftas!
Wonder what became of pretty Ilona Gemmell, the only girl I had a crush on in this low high school. It's hard to search for girls you knew on social media as of course they change their names with marriage which never seems fair or right, (although I’ve long fantasised about my own gorgeous Mrs Wood-Jones!)
Poynton County High School killed two important things for me, it killed my interest in sport, when you start equating games with dread of being forced to do a cross country run again because you didn’t look knackered enough at the end or showers deliberately turned cold and physical & mental intimidation from the dreaded double act of Mr Jones and Mr Morgan then you very quickly lose your love of it. I stopped loving football about 14 or 15, we didn’t even play footie, the school was mad on rugby or cross country running. Of course some might say that this sort of behaviour from your teachers makes a man of you, far mote likely brutalize and fuck you up I think!
I hate school mostly because it killed my love of art. Oh I still want to torch the whole fucking place (without actually killing anyone), for doing this to me. The so called teachers who took us for art frequently disrespected or devalued it’s importance. A horrible bastard called Hebditch who’d say in his whiney Essex-like accent, (And because of him I’ve always disliked this accent the most) “I like to see people rubbing out!” So if you drew as fast as me, yes as well as eating fast the only other thing I was fast at was drawing! You were in for it with him. What a moronic thing to say, and when the cunt was made head of year he’d shamefully spend the entire lesson checking your homework for other subjects, shitting on the very subject that he was supposedly there to teach! Oh I don’t like to have such hate in me, but I still hate Hebditch after all these years, the cunt is probably still alive, because cunts like that tend to go on, but if he’s dead, I hope he died a painfully terrible death for his crimes at Poynton, and not least because I hold this cunt almost personally responsible for killing my love of drawing, something I was always, always doing when I was a kid up to then!
Although I have frequently lamented the fact that we didn’t do drama at Poynton Country Shite School, (apart from hippie Mr Gray in the first year doing supposed relaxation exercises in the laughably named drama studio). Now I’m just glad we didn’t!
Now I didn’t intend this blog to turn into a rant about school, the original intention was to explore, what I frequently visit in these blogs, mojo. I like the word, although for much of my life it, confidence, (although mojo is so much more than that), has been a mystery, an illusive thing for me. I started this months blog thinking I’d tackle love & sex, and the shortage of it in my life being the reason I lacked confidence with virtually everything, not because of anything my parents did or didn’t do, and I’ll get back to that.
But school and particularly the 5 years I spent at this shite school affected a lot of my life and I still bear the scars almost 40 years since I left. Oh but the day I left I still remember as the happiest day of my life so far, and it is very sadly still the happiest day of my life so far! God if I could have just one wish it would be that before the 40th anniversary of my leaving school in July of next year that I have a happier happiest day!
It's also clear to me that the major damage that school inflicted on me was lack of confidence and certainly the explanation as to why I had ‘difficulties with girls’ most assuredly comes from school. That and the fact that within a few years of leaving my body was covered with psoriasis, roughly from the ages 17 to 25 until I had special puva treatment in Salford Royal to rid myself of it, (I was a bloomin’ virgin until I was 27), the shape of this scaley red mass which I would frequently itch so much it bled, was shaped like one of the most primitive earliest maps of the world. These things shape you.
There was and is one other significant difficulty with girls that was there from the very beginning, and that I mention in passing in my biography on this my vanity website. From an earliest age, (certainly by 4), I was rummaging around in the dressing up box under the stairs of the house in Poynton where I grew up, the smell of mothballs and the rustle of taffeta. There was a long yellow rustly dress with black netting on it that I would shut myself into this cupboard under the stairs to secretly try on from at least the age of four! I actually blame my sister for turning me into a tranny!
On a few early occasions she would dress me up like a doll and after initially being uncomfortable with it, I started finding it.. fun, though didn't let on to her! I'd never dream of telling her now, I've heard her speaking negatively about trannies, she's not at all open minded about such things.
Dressing up generally was a huge part of my early life, from dressing up in the correct football kit for Manchester City, (my favourite was the away strip of black & red), and cricket whites, the pads, the gloves and a jumper, (even now I want an England cricket tank top with the lions on it, although I don’t even like cricket!), to pulling my longest socks, (Man City, sky blue with claret & white tops), over my jogging bottoms or whatever we called long training or sports kecks back then, borrowing one of my dads shirts and one of his fencing swords, (I’ve still got his marvellous fencing swords), and pretending to be a pirate or a Musketeer. I loved great clothes, but girls were the best and most fascinating of all. I always loved big dresses with petticoats, (even the word ‘petticoat’ is still one of my favourite words),
I never wanted to be actually be a girl though, but I was whole heartedly fascinated by women and wearing female clothes was a touchstone to their world.
When I was about 12 I think I first ventured out dressed up for a little walk down Dickens Lane in Poynton in a blonde wig and a blouse & skirt, It was terrifyingly exciting and I didn't go far, I went on to do this from time to time always when it was quiet early evening, but one day I took I ran into some kids, don't know who they were, but took fright and ran as hard as I could, pulling wig off and someone, shouted "Wood-Jones!" after me. Horrifying I'd been found out and next day in school I feared the worst, but...nothing happened and from that day to this I never found out who it was. My dad almost discovered me once and I'll always wonder if he suspected, as immediately after almost finding me out, he gently said something like, "You can always talk to me if ever you want , and if you ever get into trouble I'll always support you!"
Oh if ever I'd been. a dad and a son or daughter of mine was either a tranny or gay or anything they were ashamed of, I know I'd always be so supportive and do anything I can to make them feel so loved.
I think I stopped for a long time after that, and when I did again puberty had struck and inevitably dressing became sexualised and clothes became fetishistic, and as acting was deep rooted in me long before I realised it or became confident with it, playing the part of a girl became as important as wearing the clothes!
Through the many, many times in my life including now that I have not had a girlfriend, dressing up as girl almost became my compensation and when I was in love with a girl, more often than not a big crush on someone who had no interest in me, I would become ashamed of this dressing up thing, and destroy any clothes I had bought, (a common trait I have read in trannies). I often joke I dress with the regularity of the full moon, but am more a Wear-silk than Werewolf! In fact nothing like that often.
As regard trannies, being honest I've never felt part of that club, never terribly comfortable with blokes that do because I do and that's a terrible admission I know, and I'm not saying that I am horrible or intolerant of others that do, just don't feel akin to it. Strange because ordinarily I am hugely accepting of peoples foibles. I once went to a party in North London dressed just for the craic, but felt uneasy. from the start. It was very funny though, mostly old guys wearing miniskirts and crappy wigs sitting around legs apart chatting about the best route off the M1 to Leicester, and a smattering of male admirers, kind of creepy fellas attracted to trannies trying to put their hand on your knees and risking a decking, so I beat a hasty retreat!
Oh yes, I can easily understand unease in prospective girlfs & it has with girls over the years cost me dear.
I kept this all quiet until almost 10 years ago when I decided what’s the point, although there’s mates that don’t know and I don’t feel the need to tell them, and my mum who probably knows anyway, (puts it down to being an actor and she’s right!) but who wouldn’t really understand and my sister who just couldn’t because she wouldnt), I have a small group of friends who do and I’m no longer terrified of everyone finding out). I kept a lid on this for years for fear everyone would think I was gay, even though I never had any doubts that I was straight’. When I first told my friend Tasha, she asked me why I hadn’t come out as a tranny to her sooner and I said because I was terrified girls would just think I was gay, and Tash replied “Oh we all just thought you were gay anyway, so you needn’t have bothered! Ha ha hahaharrrrrghhhhh!
I call this my ’Tara Power’ (she, her, my dressing up as a woman is my super power) I've always felt since very young that women are really what power is, despite men having always had it on paper. I've always been hugely attracted to powerful women too. A lovely woman who worked at The Yard in Hackney, where we did Wrestling the Walrus, admired my mermaid tattoo, done by niece Dana and I was telling her that I want a witch on my right arm, and she astutely observed "Oh you're drawn to powerful woman aren't you?" Oh yes.
I always like to think that two of my greatest heroes, John Lennon and Robert Louis Stevenson were both drawn to, collaborated with and married powerful and unconventional women, Yoko Ono and Fanny Osbourne. Women who both bore the brunt of criticism for the influence over these great men. Although I don't even in my most Billy Liaresque dreams compare myself to Lennon or RLS, I do dream of a such a love and powerful influence in my life. Behind every great man is a woman rolling their eyes!
For years I saw Tara as a curse, now I now very much view 'her' as a superpower. I am still relatively secretive about her, only a few close & trusted friends know. Of course no one reads this apart from my stalker! (Oh for a gorgeous stalker!)
But Tara deserves respect, she is in a way very much a separate part of me, whilst being deep in my psyche, She's an amalgam of all the women I've desired over the years and she has an Irish redhead boho, gothic vibe!
Over the years I've spent lots and lots of money on eBay buying far more and better quality women's clothes than my mans ones. Tara, is perhaps my greatest performance because she is me, she isn't a habit, she is hugely enjoyable, however ultimately unsatisfying, as the fact remains that however empowering she is to my psyche, she is still destined never to be seen by a wide audience and the reason for that is still I'm scared of ridicule, still fear women will think me gay or unmanly and that people will hate me not love me which just about matches the attention that my super power craves!
That said I don’t see the dressing as the curse that I for years did, see it as a blessing, but of course it certainly doesn’t help in getting a girlf! I often joke with the few close friends who know, about what my biggest hurdle is in getting a girlf, being a tranny, being an actor, having no money, no fixed abode or not being able to drive!!!?
Biggest problem I’ve had with women is that deep in my psyche, entrenched somewhat is this seeing a woman as a rescuer! I know this is fairly common, many people look to love as being a rescue, to save them from being alone, I don’t come across as needy and make a conscious effort to not appear so, but it’s so damn hard to find someone. My niece Gabrielle is getting married on 1st September. I’m happy for her but jealous also as I’ve never even come close to this in my life, seemed to have been labelled a singleton, a Batchelor, terrible word and would love nothing more than to have a ‘plus one’ at the wedding, but it’s a dream, and to some extent all my women have been dreams, including Tara, and for one who loves both mermaids and witches, it seems unsurprising that I still haven’t found happiness here.
I haven’t been in love, for a number of years now and I’m getting worried I will again. Oh I’ve been in lust and desired. I still very much like Ché, my ceramic artist friend, but really value her company and friendship, even if I still catch sight of myself being depressed at why we can’t just be boyfriend & girlf as she says she fancied me) The last woman I fell in love with, or was extremely depressed that I lost was Felicity, an arty and well spoken redhead near Cambridge, but that was Tara that did for that and funnily enough just after we’d seen the Eddie Redmayne movie The Danish Girl!
Recently I was in virtual lust with Gerry, a nurse in Liverpool. We met, we snogged and spent a day together but it was clear we’d built each other up too much before hand in sexy messages and it was never going to come to anything. She was funny though.
I still miss Liz, another girl I met on tinder. Gorgeous and nice Manchester girl and we snogged on Deansgate, to the cries of drunks around of “ get a room!” But when we did eventually get a room, tragically our moment of intimacy in a room at the Hanover hotel in Liverpool was ruined by water pouring in through the ceiling! Some clown in a upstairs room had left the bath running! Even though we both saw the funny side, it never really got ignited again after that and anyway I went after Felicity. Later regretful of our opportunity being dampened, I wrote Liz a love poem about all this and even though I know she has moved on I still think of her every August bank holiday Beatles festival in Liverpool in my lonely hotel room and send her a message to that effect to which she responds sweetly, (just as she just has at time of writing this), but with no hint of wishing to revisit.
Also I am still in touch with Jane in York, who I chatted to earlier in the year when I still had ideas on Ché and was honest with her, she's sounds a warm & lovely lady and so easy to talk to and I hope we get to meet, who knows and then again maybe nobody ever will want to be with such an irresponsible, useless (according to my sister), effectively homeless, penniless, (nearly) tranny actor who doesn't drive! Oh God hope Jane doesn't read this!
Oh such navel gazing in lonely hotel rooms will be the death of me I fear, but the great sadness & fear of not having & never having a woman I love in my life increasingly depresses me and I am as equally scared of dying alone as I am of not having made a mark in this world.
A ghostly experience on White Nancy!
In the middle of writing all this I had a ghostly experience when up on White Nancy, itself a ghostly, white 200 year old slightly skewed bell-shaped stone monument, in Cheshire visible from miles around it stands at the end of a ridge overlooking Rainow and at her foot is the village of Bollington.
I was walking away from Nancy heading back to Rainow along the gritstone trail and was almost at the end of long straight path with low dry stone walls on both sides. It was early evening about just after 6pm so not many people about, I’d not passed a soul on this particular path but looking back to see if I could get a glimpse of Nancy I caught site of a couple heading along towards me. At the end of this long straight path there was a gate, and although they weren’t making any noise I glimpsed from the corner of my eye that they were gaining on me, so much so that as I reached the gate they were almost upon me, and so I was just going to politely leave it open as I sensed they were there, but looking up they weren’t. They had gone, vanished. Not a sight of them. But where? The long path with the low wall either side of it stretched back behind me quite a distance. Nowhere for them to go, nowhere for them to hide. I am 100% sure that they were there even though it was from the corner of my eye. Sure as you know someone is there. A complete mystery with no logical explanation.
Now I love stories like this and although I haven’t here, I usually have to stop myself from making them into a more dramatic story, bending the truth. (Just as I have had to do when doing ghost walks in London in the past, just as happened when I worked at Theatre Royal Drury Lane, the most haunted theatre in the world when odd things did happen, and they did!) But this did happen and even though as I said at the beginning of this piece, I am bit thick, there is no logical explanation for their disappearance and I certainly didn’t imagine them.
Even though I saw what I saw and then didn’t see them I still don’t however trust it, but that maybe just because I am a bit thick, and I wonder how many truthful such experiences are rejected thus.
STOP THE PRESS!
I’ve just got (28th August) a new agent! ML International Talent, well here’s to being thick being no barrier to me getting lots & lots of acting jobs!
Wrestling the walrus was a hard work, but turned into a truly great play, and I'm proud of the way we all created it.
I said to Leanne, (best actor you could ever hope to work opposite & lovely, giving lady too), before the last show in London that I wished so much that I could go back to day one of rehearsals for this. When you’re out of work, (fuck..it's not resting even as a joke), as I had been from fully paid acting work anyway, for just over 2 years before this, you dream about being in rehearsals for a great play and a particular dream of mine has been to be rehearsing in the Royal Exchange’s Swan street rehearsal studios. Funny how things work out.
Of course I envisaged a more traditional way of working, 3 weeks of learning script/stage directions, working on intricacies of character & the 4th fine tuning & polishing it up for performance.
If Dan, the director… (though he preferred the title lead artist), of 154 Collective had told me all about how Wrestling the Walrus was going to be approached back in November when I did a day’s workshop with him & the musicians, then I’d forgotten. 6 months on, I meet up with him at a lovely girl called Emma’s house in Flixton, SE Manchester, (just around the corner from a church my dad designed 50 years ago), where we meet up for some pre show filming and she’s my on screen wife in the visual elements of the show.
I ask him when we’d get a script and he said there’s no script, it’s all going to be devised! Cue mixture of shock and also excitement.
Never really done any devising before, though my old friend John Dunne, with whom I had a very pleasant catch up with the other day, was quick to point out that working with him I’d devised a lot of my own lines without it being a requirement!
I’d always loved hearing about how Mike Leigh worked devising dialogue around a basic structure of a screenplay, but this was going to be something else. Back in November I remember Dan saying that him and Paul, aka Fabric Lenny, artist were going to shut themselves away in a remote log cabin in North Yorkshire in January to create the thing.
Apparently though this was to create the concept rather than a script.
Working with Leanne Rowley…(Goddess, super woman and easily the best actor, I’ve ever worked with) made the process a hell of a lot easier, often I’ve joked that Leanne has been my carer both on stage and off in all this.
We got some great reviews, the Observer/Guardian called it 'Bold & inventive" even it did fail to mention the actors & musicians but its tone was positive. It gave Dan credit for the script, sadly there was no programme or details made available to press, informing them that it was a devised piece, that Leanne & I had written this script as much as Dan.
We did get five & four star reviews from online review sites who more fairly appraised it, and at the time of writing I am still trying to coax 2 agents, both Leanne's ex & current agency to take me on, one saw it, one didn't & I may or may not get a meeting with the one that couldn't make it. Trying to keep positive about this, as think it was a great showcase for me, but who knows?
The biggest excitement about all this going into it, was the prospect of working at the Royal Exchange Theatre!
Oh how I wish, I could get over myself with this venue… for fuck sake! But the place is deep, deep rooted in my psyche, ever since seeing plays here 40 years ago, even writing asking for any sort of job here when my dad was alive, (he helped me with the letter), only for them to not think at interview that this 17 year old, (still 10 years off getting confidence to act, never mind to live), intensely shy and head in the clouds, big lug was probably not someone it would’ve been productive having around, and understandably!
I’ve frequently bored anyone who’ll care to listen with the oft repeated “I’ll never really feel I’ve become an actor til I work here” like it’s a whimsical benchmark I’ve imposed on myself for success. And of course by ‘here’ I mean inhabiting the magical lunar module of the Exchange’s main house, although the studio space has been wonderful and it’s just been a childish thrill to hang out here, come and go though the stage door and frequent the green room! You could easily say too much of my mind is romantic shit, but then again, rightly or wrongly it’s that romantic shit that is actual pretty hugely bloody well important, frames my life and helps me get to levels of emotion as an actor.
Working with Leanne was easy, she is such a giving actress, she had the right attitude throughout, sure she’s worked for Dan & 154 before and knew their way of working, but also she knew how use her time for the best & most productive results. I feel she and the very excellent band of musicians, Nick, Hayley & James held this show together. It must have been hard for her with her because a lot of her time was no longer her own, with a 5 month old baby Nia to care for, cutest baby ever, though she never made it seem hard, just like her performance. In the first week she sent me a beautiful little message on WhatsApp one evening saying how she was thankful to me making it easier for her. I hope she still felt that after all the rest of the weeks had passed, because I wasn't easy!
Dan was adamant that I had to be at least 10 years older than my age, their synopsis of my character, that made it onto the show fliers description was of an elderly man meeting a young woman on a park beach” I made him a little younger than I think they were set on, in fact an ageing punk as I thought of those who saw the Sex pistols, the Damned & The Clash first time round would have 10 years on me anyway and I didn’t want him to be traditional old man. A fella in the audience at the after show Q&A said he thought this brought home dementia far more powerfully, as he was a first time punk, and that old punks not only become old men but get dementia too.
Dan’s main mantra throughout was that the play was not about dementia but rather about storytelling. This proved to be a battle to stay on track of this philosophy, right up to and beyond opening night, as before press night he wanted to 'glitch up' Mog’s only real lucid moment in the show, the wrestling story that I’d devised, but to his credit he changed his mind because I think the storytelling was absolutely paramount to this play being as good as it was.
A feature of collaboration which impressed me was Dan’s ability to take literally everyones ideas on board. There must have been pressure on him. I don’t think I could’ve worked under these conditions as a director.
I'm grateful to Dan for the opportunity, and to Leanne without whom I wouldn't have been considered. I do feel very lucky to have been a part of this I really do, working with some of the best creatives around, and most of all I really miss it now, it wasn't long enough a run.
There’s talk of doing it again at some future date dependent on funding and I hope so, I put a lot into this play, it truly was a collaboratively devised piece and it’s to all our credits that we came up with a play that deserved to be seen, still deserves to be seen, and above all is a credit to the banner of excellence of the Royal Exchange Theatre, the greatest theatre in the world.
I wrote this last sentence in a thank you email to Bryony Shanahan the forthcoming new co AD at the Exchange who came to see the show. Hope she really liked it. She ought to have done, even if it was still a bit raw in it’s previews when she saw it.
Talking of raw, the rawness and the fact that we filmed everything so Dan could often write up our lines from the video, took me right back to City Acting Studio Salford 1991-92 where as I’ve said before I got my acting mojo. Funny these rehearsals put my mojo trough the grindstone with the same process, but I’ve come out the other side a little stronger and much, much wiser. So all good.
Crying was a big part of this show, for myself and Leanne. There were 3 moments in this play where I had to cry big time. Was that too many? I think not, because all were valid.
Lots of people said to me that Leanne and I have real chemistry. We really fucking do! I’ve never found this with any other actor that I’ve ever worked with, I’ve often heard critics going on about chemistry between actors or bemoaning the lack of it and often wondered about it.. But this was powerful first hand evidence of it. It was there when we worked on Mr Browns Directions in Hull, felt it very strongly. It’s easy to get moved by her. Sad thoughts help of course too and the most powerful thought I had was something I didn’t and wouldn’t say to Leanne, for fear she’d think it sounded creepy, though I almost know she wouldn’t. It’s the big regret that I’ve never been a dad and looking into this beautiful young woman's eyes who could very well be my daughter that I’d forgot and of course she was in this, and I believed it for that moment.
What I will take away from this experience mostly is a completely different take on dementia. I still consider it a horror, but the humanity behind this attack on humanity and losing your memories doesn’t make you less human. That stories are important to everyone, regardless of whether they have dementia or not. I like telling my oft repeated stories, so does my mum and to never begrudge anyone the joy in recanting their stories/memories even if you have heard them a million time before.
Anyway here’s my first & only week of rehearsal diary entries, just so I can big up the moment of being an actor in a Royal Exchange show!
Mon 3rd June
At The Royal Exchange, I’m excited sitting in the Green room an actor in a Royal exchange show, (even if it’s not one actually in the wonderful, magical lunar module), before the others arrive. Leanne arrived with her baby, Nia, really cute baby & her mum, Gail helping her. Director Dan Mallaghan, Paul (aka Fabric Lenny, visual artist ) & Yvonne, who took the original photo that I was poster boy for and filmed the visuals that are going to be in the show.
Amy Clewes the Royal Exchange’s producer is there and she’s lovely warm & friendly. She takes us to do a meet and greet in the hospitality suite overlooking St Anns Square everyone mingles for a few minutes in pairs I seem to be the only one without a close confederate !
Then Amy gets everyone into a semi circle and we all introduce ourselves, Director of Creative Learning, operations etc, (women are strongly represented here, predominant, which is really great). I just say I’m Nik actor in Wrestling the walrus & try to appear all nonchalant & professional actor like not at all phased by being at the greatest theatre in the world!
Afterwards I admit to Amy how much I love the Royal exchange and have been coming here since seeing 12th Night & she mentions Tom Courtenay’s name before I do, who’s Malvolio in the 1978? version was the one I was alluding to, even though the Exchange did it again a couple of years ago (a version I desperately wanted to Belch in & wrote to caster JKS begging him to see me for, although I don’t tell her this!) She seems genuinely interested
Then we all walk the 10-15 min walk to the Royal exchange’s rehearsal studios on Swan Street, me hobbling away after still suffering with ankle injury and Amy shows us building, gives us a talk on how we all have the right to work in a safe environment, bullying in the workplace etc and gives us electronic key fobs for the doors.
While the set is being slotted together, it’s a massive pre built thing in segments, a grassy mound with a park bench on it and a 4 sided wooden framework which they call a pagoda, but which really is a pergola!
It’s already visually arresting without the visual effects which will be projected onto it’s back screen.
Dan, Leanne and I are sat in kitchen & Dan gets all his notebooks out with his story ideas and bullet points as well as Fabric Lenny’s nightmarish drawings.
He says that he doesn’t want this to be a play about dementia, but rather a play about storytelling and the millions of little memories that define us. Also touched on types of dementia & he’s settled on ‘Lewy bodies’ which is specifically one involving hallucinations which he wants, particularly a cat!
Tues 4th June
Paul (Fabric Lenny) & Yvonne (are they a couple? , are there when I arrive, Dan & Leanne, without baby Nia today soon after. This morning we’re going to be filming bits for a trailer on the set so close ups panning across my face and Leanne writing post it notes, which are a common thing associated with reminding dementia sufferers to turn things off, not to forget keys on leaving house etc etc.
They record me audibly saying things “ Let me tell you a story about my life”
After lunch we head over to the Exchange again where we’re going to be filming a nightmare sequence that I have in a maze of corridors and cages suggesting my mind I guess. We’re in the bowels of the Royal exchange, there’s an underground car park which I never knew about and we go through a little door into what is used as the theatre’s archives department. Amy from the exchange is with is even gets to participate as we are all filmed by Yvonne from the back of our heads. A light mounted on the camera is the only light we have, back & forth, meandering around the passages.
I say to Amy how funny it is to be filming my characters memory of a nightmare when I am surrounded by so many happy memories of my past in the form of royal exchange programmes, posters and photos of past shows.
Wed 5th June
Just Leanne, Dan & I today, so first day of working on the play properly.
Leanne has worked with 154 before knows Dan’s methods, there’s an understanding between them, so I feel a bit vulnerable as an outsider from their way of working. Dan likes his vignettes. 10 second scenes to suggest things like passage of time, try to get my head round what at first seems quite a ‘bitty’ way of working whilst not wanting to be closed to their way of working and willing to embrace it, initially find it hard to grasp and understand, but it does seem quite an effective tool.
Get ever such a lovely message from Leanne on WhatsApp in eve reassuring me by telling me she is grateful to me for making her return to work after baby so easy, which is so lovely. She obviously senses my difficulty with this process She is such a very sensitive & considerate woman and I could want no better actor to work opposite
Thurs 6th June
Had a really good morning, most rewarding rehearsal so far going through the ‘wrestling’ scene, my big monologue bit telling story of how I wrestled a bear or it might have been a tiger or a walrus. I’d come up with names for the wrestling characters for example a big fat hairy wrestler who looks the spit of Pavarotti called Pulverotti geddit!!!? And who’s entrance is to the strains of Nessun Dorma, and me with my once physique of an Ancient Greek hero Jason who arrives in a golden fleece robe! Initially I wanted heroically to save the bear but Dan says he doesn’t want the character to be too compassionate, or to care about this in a way he says that people back in the day didn’t! Or said inappropriate things. Sweeping generalisations aside, I'm just glad he let me be the ageing punk rocker that I'd come up, though remains to be seen whether what we came up with ends up in the play, as after filming us do the scenes he’ll write them up over the weekend.
The afternoon’s a bit of a blur as to what we actually did, (I keep thinking even if inappropriately that this play about a muddled mind is muddling mine), but we did come up with names for the characters. Well Fabric Lenny had apparently already come up with Meg for my missus. I’d thought of Max for me, and Dan wasn’t keen on two names the same letter, not even a hint that Meg was up for negotiation, but he let me keep Max but Max known as Mog! Meg & Mog. I thought straight away of Mog the Forgetful cat! No-one else seemed to & I said nothing as that appealed to me!
Shared a vulnerable story with Leanne on a break touching on without elaborating on feelings that I’ve had a couple of times in plays when I’ve felt so vulnerable that I’ve feared I could be replaced. Dan came in on this and Leanne although well meaning, brought him into this private moment, cheerfully saying to Dan something like “Well Dan’s not going to fire you are you Dan?” To which Dan said No…pause… ‘not yet anyway!” I am too bloody honest for my own good sometimes!
Friday 7th June.
So we started to structure the play. Dan has a role of paper like wallpaper rolled out on the floor and we were sitting around arranging bits of card on it from my story, Leanne’s story, where our memories meet in real time & memory.
I let Leanne do the writing down & arranging of things, whilst I neatly folded & tore the paper into strips, trying to get my head round the process. in truth this chart was giving me a headache, like diagrams in school used to do!
We went through the first scene in the afternoon and Dan wants a false start, I liked this idea at first bit then Dan mixed it up and seemed to throw out all the truthful thought processes that we’d found, connected to the order a sandwich box, sketch book etc were brought out and my thing about 2 ways up the hill thing into an entirely different and random order confusing things.
At this stage I don’t understand enough about dementia to be able to know that what I’m doing is convincing. It’s a bit more like OCD the way Dan’s having me do stuff just now, maybe that’s right, I don’t know, don’t think he does, and I know he wants to show good practice in all of this with it. A woman called Clare was supposed to be coming in to talk about this but Dan had made a mistake on the days. Are we in the care home or are we on the hill. Dan was initially adamant we were in the care home in this first scene, although now to his credit, he’s not sure himself and is thinking that this is a real memory. Or is he? I think he wants the whole hour or so of the play to be in ‘real time’ where I’m on the hill in my world, Leanne’s in the care home humouring me with my stories & trying to get me to eat, sleep etc, and there’s a third dimension (or fifth!!!) where we meet.
We’re into like dance territory here with me, my kryptonite!! By that I mean doing something that I’m not enjoying, can’t seem to get right, makes me weak, lessens my powers, erodes my mojo and I know I’m apologising too much!
There’s a lot going to be going on in the play, with the same visual imagery that’s in a lot of 154’s plays and I can't help feeling the actors are quite a bit down down the priority order here, but even if that's true, that’s just the way they work and I have to accept that & mustn’t let that worry affect my getting there with the character and any of the ‘effects’ distract me.
SO at the end of the first week, looking ahead to the next & with 3 weeks to go today til opening night, what I need to most is convincingly portray this man going through this thing. To not get upset by it, as I am likely to do looking into its effects more deeply. It may prove to be one of the most difficult acting jobs I’ve ever had, but if I can smash this & turn in a great performance I will be happy, even more if I can make an impression with the Royal Exchange.
I believe Mog’s spirit is still there even though it’s fragmented by the dementia and my spirit as Nik shall not be broken either. I MUST BELIEVE IN MYSELF, do what I think is right for the good of the play and the truth of the character and always, ALWAYS strive to keep good SPIRIT.
Memories are such a huge part of what makes us human. I am about to start working on a play where the characters memories are under attack from dementia, making him less a human? Well that is something I have to disprove.
How terrifying to forget your life, even the regrets and the bad things, for they shape you and you hopefully learn from mistakes. Personally I spend a lot of time making the mistake about thinking about romantic disappointments and the dream desire to be loved by someone who I equally love has become unfortunately a lifetime quest.
One of my favourite movies, ‘Eternal Sunshine of the Spotless Mind‘ deals intelligently and brilliantly with erasing the memory of a lover from the memory, in a dream like science fiction & delightfully imaginative, if splendidly silly way.
It is ultimately a hopeless scenario when 2 such lovers romantically find each other all over again, because they of course have not lost the ability to found new memories. But would you want to have past love remembrances erased anyway? With me I wouldn’t even want the memory of love that never got off the ground erased. Even though I do so apparently love to morbidly dwell on such memories and frequently, indulgently beat myself up with them.
But some memories are to be cherished & to lose them is to lose the person and you feel this most acutely when that person has gone, and I have just heard that a woman I loved very much has died.
I met Jacqueline Jones over 20 years ago through tour guiding in London and I fell in love with her. She never reciprocated, she was in a relationship and eventually married and had children, moved away, but still wanted me to be her friend.
It is to my lasting regret that I selfishly wouldn't let her be.
She died of a brain tumour, and apparently just 7 weeks after complaining of headaches, I had not thought about her for quite a few years, but her dying as made me full of sorrow and I am reminded just how much I did love her and even though I thought I'd got over her, wonder if I actually had, wonder why I’d jealously unfriended her 3 or 4 years ago. Was not allowing myself to be her friend, just a silly way of taking it out on her for in many ways epitomising my inability to find lasting love?
So I’ve written her a letter to try my best to explain, to say sorry to her, in a way that I am now heartbreakingly denied doing in life.
In my crazy mind I'm imagining this letter going out to you in the ether to reach her sometime in an eternity where there is no time and I hope indulgently & selfishly she will some time remember me and miss me as much as I miss her, and call me deluded or sad or anything else as disturbed, but I miss her terribly.
May 31st 2019
You will never see this and if you can, I know just now you rightly wouldn’t notice anyway as your focus will be comforting your children & Barney, who at this moment will be terribly missing you more than I could ever imagine.
I’m crying as I write this and it’s sorrow for myself as much as the fact that I won't see you again , sorrow how I lost you as a friend, because of my own jealousy & stupidity. I only knew you for a short number of years, and you had a huge life afterwards that I never knew about and chose not to be a part of, even though I could have.
We were last in contact on Facebook 4 years ago when you commented on a picture of my dad that I’d posted for his birthday, saying that he looked Welsh. It takes someone Welsh to know someone Welsh and you were right!
I shut you out of my life because of romantic disappointment. I took it out on you for being my biggest. And no shit, you were. Not that we ever were romantically involved. I desired you strongly, but you didn't or wouldn't see me like that.
I remember the New Years eve Millennium running like an attention seeking little child away from central London’s revellers and the chance of spending it with you & your intended Barney Spender! It was jealousy, pure jealousy that you loved him & not me. I ran to my friend Therese’s house near Bromley.
I remember one particular night of many, many, many nights in a pub with you, it was ‘The Ring’ in Southwark where we’d spent nights before in the good company of others, enjoying their lock ins, but this late night it was just you & I left, others had gone. We both had had a lot to drink, as usual. We both were in that dreadful Big Bus Company uniform, we rarely saw each other out of it, and we spent the bulk of every week daylight hours in it!
I’d picked my time, as usual, horrendously badly and blurted out that I loved you fuelled by alcohol, but with no less sincerity. I think I may have been more calculating as you’d had a big spat with Barney, but my advances such as they were, were met with your wonderful scowl, a scowl I loved you so much for, and a ‘Don’t be so fucking stupid, you don’t love me!” Or something like that. When you frowned it was amazing, your brow wrinkled on one side of your forehead spiralling complicatedly in to what I likened to a finger print. It was another feature I adored about you.
You were a handful. I remember Liz Hogg saying that about you, and that wasn’t a criticism, from those of us who loved you dearly, it was a lovely fact, something we loved you for, and that’s a tremendous complement to you. Not many could be loved for being a handful!
So you told me off for loving you, refusing to accept that I really did. You were the most intelligent woman I have ever loved or ever known and you may have been right, but I did love you. My saying I loved you, made me a handful for you, you were in a relationship and even if you had desired me, you wouldn’t have jeopardised that, and that was intelligent. Profoundly disappointing for me but sensible. But you knew I wasn’t sensible. I flatter myself that my being completely not sensible was one of the reasons you liked to hang out with me. But you would never have married me outside of my dreams, but that didn’t stop me loving you, and yes I really was in love with you and still am.
I see pictures of your daughter Sydney now a young woman, who has inherited your beauty, who when last I saw her she was a young baby when I visited you at your home in Nunhead and I realise that a short time after that I just stopped knowing you, particularly when you moved away to France, though I became even more distant, you were a mum and have a son too, who I don’t know the name of.
My desire for you was like a dusty antique that had been left there on the shelf and I realise as you surely did, that my attempts to block you out were simply a symptom of my never having moved on, of how I have consistently been disappointed and dread always being so, (I've long suspected that perversely I'm only attracted to unattainable women), If I’d met someone to be in overwhelming love with for always, I would have moved on and we’d have been the most brilliant friends. I’d never have not wanted you to be my friend. But I didn’t, I still haven’t and am terrified I never will, so all the shitty resentment and jealousy has been eating me up ever since.
And it’s funny because I can still see you mouthing the word “bollocks” in response to this, but this time with a smile. And you will surely think, rightly what a rambling, pointless, self centred, self indulgent outpouring all this is, and it is.
I’m sorry I missed out on being your friend, all the times you came to London, which you loved and I could've valued the pleasure of your company, instead of cutting that pleasure off in spite of my happiness.
I miss all the laughter and all the good times we made out of the soul destroying tour guiding, and being thwarted in not being able to do what we wanted. I am so happy you found actual happiness and I can see you smiling sweetly and your beautiful, beautiful face and now a playful “fuck off!"
You were fearless, it was just like you the time that you rounded on a threatening bunch of Mayday rioters at the foot of Nelson’s column after graffiti had been daubed all down Whitehall, telling them off ferociously and leaving them speechless, they didn’t know what had hit them!
I can hear our friend Ian Birrell, who like you lost this life criminally young, (I miss the dear, dear, characterful souls out of both of you), teasing me about fancying you and losing out to 'Spender', (he always affected a Geordie accent in mentioning Barney’s name in reference to Jimmy Nail’s title character in the tv drama Spender ), We were at your wedding at Brompton Oratory along with a lot of the other Big Bus drinking gang, and he was playfully goading me to interject at the “ If anyone knows of any lawful impediment to this marriage, he or she should declare it now. “ bit to whisk you off!
I wouldn’t have dared as you’d have gone absolutely, frighteningly ballistic, charged up to me, telling me to get out in no uncertain terms, before returning to Barney & you'd have hated me for ever more. I hope you didn’t think I was a cunt for cutting you out of my life, I hope you won't think me a cunt for admitting to still being jealous of Barney even now. I mean how could you marry someone who doesn't even have something as characterful as eyebrows!!
How stupid I am. What a cunt I am. I know I could never have changed things, it was totally irrational to behave the way I did, nothing was to be gained, I just wish I could have just accepted things and been grown up about it, because It was my loss to lose being friends with one so fabulous as you, and it will be my eternal regret, one of my greatest, that I never will get the chance to say sorry to you in life, even though you never really stopped being my friend.
“Welcome back Oh Prodigal One” you jokingly messaged me in 2011 after we’d not been in contact for quite a number of years. I remember you calling me cantankerous, which I thought at the time over the issue you called me it was unfair, but I guess I was so to you. I bore a silly grudge I'm ashamed to admit. I like to think you understood & didn’t think bad of me for disappearing again, but you may have thought I was just being a cunt!
You were really supportive about me doing Beatle Mal in 2012, bigging me up on Facebook , and how did I repay you? One day I let my green eyed monster out & spitefully unfriended you on bloody Facebook. Leaving Faceybook aside, jow shitty a thing to do to a friend is that?
I’m sorry Jacqueline that I missed out on being your friend after you got married, my shit got in the way and It was my personal, very huge loss that I missed out on all the years I could've known you as life changed so wonderfully for you.
I am so, so sorry Jacqueline that you've been taken from your family and so suddenly. It must have been such a shock to you & you must have been so frightened to lose those close to you, even for one as courageous as you, who would so fearlessly take on the world in the name of good & I am I am more sorry than I could ever say in words. OH FUCK, I WISH TO THE POWER OF WISHES THAT YOU WERE STILL HERE!
I want to say something stupid like, if I could have taken this horrible brain tumour on for you, heroically in a “It is a far, far better thing I do now, than I have ever done before” sort of way, then I would!
I’m trying to visualise what you would say to that, most likely:“Oh fuck off, of course you wouldn’t, & don't be so insultingly stupid!" You would really tell me off for that stupid comment I know you would!
I will just say then that if I am ever lucky enough to meet a woman as lovely as you, (Oh please that I am), and who loves me back, then I will have had the greatest luck ever in the history of luck & better than any glittering awards that acting or anything could ever give me.
And then I see that wonderful, wonderful scowl that becomes your beautiful, sweet, sweet smile.
Love always & never forget you
Here's poem I wrote about Jacqueline 17 or 18 years ago...
A frown like a finger print & scowl that was a howl,